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Medieval & Renaissance Music:

A Discography of the Recording Holdings at the Douglass Listening Room in the Knight Library

This is a discography(list of recordings) of some of the Knight Library's Douglass Room's Medieval & Renaissance recording collection. Compact discs may circulate to UO students, staff and faculty; the LP and cassette recordings do not circulate outside the Library, except to the faculty and Graduate Teaching Fellows of the University of Oregon.

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Index for this guide: A B C D E F G H I J K L M N O P Q R S T V W Chants COLLECTIONS

Composers A-D

A

Aberlard, Peter, 1079-1142

See: Monastic song: 12th century monophonic chant: Peter Abelard, Codex Las Huelgas

Adam, de la Halle, ca. 1235-ca. 1288

See: Dance music of the 16th, 17th, and 18th centuries; Early medieval music up to 1300; Food, wine & song: music and feasting in Renaissance Europe; French music of the Middle Ages and Renaissance; Lo gai saber: troubadours et jongleurs 1100-1300 = troubadours and minstrels = Troubadoure und Spielmänner; Historical anthology of music in performance ; History of European music; A History of Western Music; The medieval experience; Medieval music; Medieval Paris; music of the city; Music of the gothic era; Musik des Mittelalters und der Renaissance; The Pleasures of the royal courts; The pleasures of the royal courts (2); Secular music circa 1300; Songs of the trouveres; Trouveres; The world of Adam de la Halle.

Adam, de Saint Victor, d. 1192

See: History of European music

Adam, von Fulda, ca. 1445-1505

See: Stadtpfeiffer: music of Renaissance Germany.

Ademar de Chabannes, d. 1034

See: Live in concert: Frederick Renz directing New York's Ensemble for Early Music and New York's Grande Bande and Music of the early Renaissance: John Dunstable and his contemporaries.

Adriaensen, Emanuel, ca. 1550-1604.

Pratum musicum (1584). Canson englesa.
Deutsche Grammophon 2531 382, p1982.
PERFORMERS: Narciso Yepes, guitar.
NOTES:Program notes by Alexander Schmitz, in German, with English translation by John Coombs, and French translation by Jacques Fournier.
DOUGLASS PHONODISC DMds 4724

See also: Musik für Laute [Music for lute]; Musik für 2 und 3 Lauten [Music for 2 and 3 lutes]; and New London Chamber Choir.

Agricola, Alexander, 1446?-1506

Magnificat and motets.
Chanticleer Records CR-8808, p1992.
PERFORMERS:Chanticleer (male vocal ensemble); Joseph Jennings, music director.
NOTES: Program notes by Jeremy Noble and Stephen R. Miller, and Latin texts with English translations.
CONTENTS INCLUDE: Nobis Sancti Spiritus--Regina coeli--O crux ave--Magnificat.
DOUGLASS COMPACT DISC CX8604

See also: The art of the Netherlands (1450-1520) and Early music of the Netherlands: 1400-1800.

Aguilera de Heredia, Sebastián, ca. 1565-ca. 1620

Orgues espagnoles II.
Gallo 30-222, c1985.
NOTES: Program notes in French, German, English and Spanish, including organ specificiations.
CONTENTS INCLUDE: Registro baxo 1o tono.
DOUGLASS PHONODISC DMds 6337

Spanish golden age music for trumpet & organ.
Nonesuch 71415, p1984.
PERFORMERS: Edward Tarr, trumpet; Irmtraud Kruger, organ.
NOTES: Program notes on container.
CONTENTS: Ensalada for organ.
DOUGLASS PHONODISC DMds 10940

See also: The Golden age of Spanish music.

Aimeric, de Belenoi

See:The Dante troubadours;A mediaeval banquet: music from the age of chivalry.

Alberch i Ferrament

See:Le Moyen Age catalan de l'art roman a la Renaissance.

Alberti, Gasparo, ca. 1480-ca. 1560

See also:Italia mia.

Alberto de Gomez, Luis, b. ca. 1520.

Spanish keyboard music of the 16th and 17th centuries.
Experiences Anonymes EA 0026, [1957]
PERFORMERS: Paul Wolfe, harpsichord.
CONTENTS: [For complete contents, click on album title.]
DOUGLASS PHONODISC DMdl 780

Aldomar, Pedro Juan, fl. 1506-9

See:Secular vocal music of the Renaissance.

Aleyn, John, fl. ca. 1400

See:A distant mirror; Shakespeare's music.

Alfonso X, King of Castille & Leon, 1221-1284

Las Cantigas de Santa Maria.
Experiences Anonymes EA-0023, 1957.
PERFORMERS: Russel Oberlin, counter tenor; Joseph Iadone, lute.
DOUGLASS PHONODISC DMdl A132 v.3

Cantigas de Santa Maria.
Harmonia Mundi France HM 1060, 1981.
PERFORMERS:Mary Criswick, mezzo-soprano; with the Ensemble de Musique Ancienne "Euterpe" de Paris.
NOTES:Program notes in French, German and English; lyrics with French, English and German translations.
CONTENTS:Cantigas de Santa Maria: Des quando Deus sa Madre; Des oge mais quer'eu trobar; A virgen mui gloriosa; Tod aqueste mund'a loar deveria; Tan beeyta foi a saudaçon; Pois que dos reys nostro Sennor.
DOUGLASS PHONODISC DMds 4083

Las Cantigas de Santa María.
Omega Record Group OVC 2013, p1993.
SERIES:Historical anthology of music. I, The Middle Ages. E, Music of Spain. 2, Vocal and instrumental music.
PERFORMERS:Waverly Consort: Michael Jaffee, director; Jan DeGaetani, mezzo soprano; Constantine Cassolas, tenor; Nicholas Kepros, troubador.
NOTES: Program notes by Michael Jaffee, texts in original Latin and Galician-Portuguese, and English translation by Kenneth C. Ritchie.
CONTENTS INCLUDE:Cantigas 1, 158, 318, 8, 117, 340, 56, 7, 327, 166, and 10; instrumental interlude consists of the melodies of cantigas 200, 221, 377, 189, and 231.
LANGUAGES:Sung in Gallegan and Latin.
DOUGLASS COMPACT DISC CX8246

Cantigas de Santa María.
Erato 3984-25498-2, p1999.
NOTES:Transcriptions and arrangements by Joel Cohen.
PERFORMERS:Camerata Mediterranea; Joel Cohen, conductor; Abdelkrim Rais Andalusian Orchestra of Fez; Mohammed Briouel, conductor.
NOTES:Program notes by Joel Cohen in English with French and German translations and texts of the vocal works with English, German, and French translations.
CONTENTS:Nawba ramal al-maya: bughya = overture (instrumental)--Cantiga 100: Santa Maria strela do Dia--Cantiga 406: Ben vennas Mayo--Cantiga 370: Loemos muit'a virgen--Cantiga 90: Sola fusti senlleira--Cantiga 52: Mui gran dereit'é (instrumental)--Nawba gharibat al-husayn: tushiyas = prelude (instrumental)--Cantiga 230: Tod'ome deve dar loor--Cantiga 130: Quen entender quiser--Cantiga 56: Gran dereit'é--Nawba irak al-ajam: Mizan Dari-Sana "Kouli lmalihti (instrumental)--Cantiga 320: Santa Maria leva--Cantiga 200: Santa Maria loei--Cantiga 417: Nobre don e muy preado--Nawba gharibat al-husayn: Mizan bacit-Sana "Kad nilto hibbi" (instrumental)--Cantiga 140: A Santa Maria dadas--Nawba rasd al-dhil: Mizan koddam-Sana "Allah hoo yalamo" (sung in Arabic)--Cantiga 250: Por nos virgen madre.
LANGUAGE:Vocal works sung principally in Gallegan.
DOUGLASS COMPACT DISC CX8266

Cantigas de Santa Maria.
Opus 111 OPS 30-131, 1995.
PERFORMERS:Alla Francesca.
NOTES:Texts with English, French and Spanish translations and program notes by Carmen Rodríguez Suso with French, English and German translations.
CONTENTS:Cantigas de Santa María: Tanto son de groriosa; A Madre de Jhesu-Cristo; Mui grandes noit'e dia.
DOUGLASS COMPACT DISC CX8351

Cantigas of Santa Maria.
Nimbus NI 5081, c1987, p1984.
PERFORMERS:Martin Best Ensemble.
CONTENTS:Santa Maria, strella do dia--Non sofre Santa Maria--Non e mui gran maravilla--Santa Maria amar--A Santa Maria dadas sejan loores--Quen boa dona querra loar-- Muit e mais a piadade--A Virgen, que Deus Madre est--Virgen, Madre gloriosa--Porque ben Santa Maria--Entre Av'e Eva--Se ome fezer de grado--Fremosos miragres--Por nos, Virgen Madre--Ben pode Santa Maria--O que en Santa Maria--Ay Santa Maria--Santa Maria loei--Muito, foi noss' amigo--Rosa das Rosas--Santa Maria, strella do dia--Entre Av'e Eva.
LANGUAGES:Sung in the Gallo-Portuguese dialect.
DOUGLASS   COMPACT DISC CX5924                  

Etoile du nord: Gauthier de Coinci et le miracle medieval.
Calliope CAL 9525, p2001.
PERFORMERS:Anne Azema, soprano and hurdy-gurdy; Shira Kammen, vielle,rebec, and harp.
NOTES:Includes program notes and performers' biographies in French with English translations and Old French and Spanish words printed as text with English translations.
CONTENTS INCLUDE: A Virgen Santa Maria/ attr. a Alfonse le sage; Gran' dereit/ attr. a Alfonse le sage; Maravillosos e piadosos/ attr. a Alfonse le sage.
LANGUAGES:Works sung in Old French and Spanish.
DOUGLASS COMPACT DISC CX12546

The pilgrimage to Santiago.
Editions de l'Oiseau-lyre 433 148-2 -150-2, p1991.
SUMMARY:"A musical journey along the medieval pilgrim road to the shrine of St. James at Santiago de Compostela".
PERFORMERS:New London Consort; Philip Pickett, conductor.
NOTES:Program notes, sources, and texts with English translations.
CONTENTS:Navarre and Castile. Quen a Virgen ben servira; Belial vocatur/Tenor; Surrexit de tumulo; Non e gran causa; Ex illustri; Alpha bovi/Domino; 4 planctus; Verbum bonum et suave; Agnus Dei/Regula moris; Fa fa mi fa/Ut re mi ut; Dum pater familias: untexted instrumental version--Leon and Galicia. De grad'a Santa Maria; Annua gaudia; Ben com'aos; Regi perennis; Non sofre Santa Maria por dereito ten a Virgen: untexted instrumental version; Nostra phalanx; A Madre de Deus; Congaudeant catholici; 7 cantigas de amigo; Dum pater familias.
LANGUAGES:Principally vocal works, sung in Latin, Spanish, or Old French.
DOUGLASS   COMPACT DISC CX7597                  

Visions and miracles.
Elektra Nonesuch 9 79180-1, p1988.
PERFORMERS:Ensemble Alcatraz, with period instruments. Performed in varying combinations of soprano, instrumental ensemble (medieval harp, recorders, psaltery, vielle, rebec,lyre, percussion), and chorus.
NOTES:Program notes in English by Thomas Binkley and texts with English translations.
SOURCES:Principally selections from the Cantigas de Santa Maria in vocal and instrumental settings; the Latin songs are from the Huelgas codex.
CONTENTS:Quen a Virgen ben servira--Fontis in rivulum: instrumental--Fontis inrivulum--Toda cousa que aa Virgen--Alavanca de Mudanza: an instrumental suite--Gran dereit--Ad honorem salvatoris--A Virgen mui groriosa.
LANGUAGES:Sung in the Galician dialect (Cantigas) and Latin.
DOUGLASS   PHONODISC DMds 12485                 

See also:Canciones españolas: Songs from the Middle Ages and Renaissance.; "Don Alfonso the Wise": music of Mediaeval Spain; Harp music from the Middle Ages ; Iberian garden: [Jewish, Christian and Muslim music in medieval Spain]; Instrumental music in the troubadour tradition ; Instruments of the Middle Ages and Renaissance ; The instruments of the Middle Ages and Renaissance ;Joculatores Upsalienses perform music from Cantigas de Santa María, Cancionero de Upsala, Piae cantiones, and Danserye; A mediaeval banquet: music from the age of chivalry; Medieval and Renaissance music; Medieval roots; Medieval songs and dances; The pilgrimage to Santiago; Spanish medieval music; A treasury of early music [an anthology of masterworks of the Middle Ages, the Renaissance, and the Baroque]; Les tres riches heures du moyen age: a medieval journey; The way of the pilgrim: medieval songs of travel.

Alison, Richard, fl.1588-1606

See:As I went to Walsingham: Elisabethan music = Musique élisabethaine.; Elizabethan social music; An Evening of Elizabethan music; Guide des instruments de la Renaissance; Music of the Renaissance virtuosi; Musicke of sundrie kindes; ; Watkins ale: music of the English Renaissance.

Allison, Richard

See Alison, Richard

Alonso de Alva

See: All the king's men: Henry VIII & the princes of the Renaissance; El cancionero de palacio: 1474-1516; Liebe und Minne; Music of the Spanish Renaissance; The Pleasures of the royal courts; The pleasures of the royal courts; and Spanish and Mexican Renaissance vocal music.

al-Tabban, Levi Ibn fl. late 11th c.

See also:Iberian garden: [Jewish, Christian and Muslim music in medieval Spain].

Ammerbach, Elias Nikolaus, ca. 1530-1597

See: Die Authentischen Orgeln aus Renaissance und Barock Dokumente & Meisterwerk, vol. 1: Alpenländer; Die Authentischen Orgeln aus Renaissance und Barock= Authentic Renaissance and baroque organs. VOl. 4: Osterreich; Historical anthology of music in performance; Medieval and Renaissance minstrels, songs & dances; and Renaissance dances [from the 14th through 16th centuries.]

Ana, Francesco d', ca. 1460-1502 or 3

See:Masterpieces of the early French & Italian Renaissance; Vinci l'Harmonie du monde.

Anchieta, Juan De, 1462-1523

See: music/Discographies/MedRen/medrendiscocoll.html#ArtN">The art of the Netherlands (1450-1520) ; El cancionero de palacio: 1474-1516; A royal songbook: Spanish music from the time of Columbus.

Andreas, de Florentia, d.c1415

See: Florentine music; The instruments of the Middle Ages and Renaissance;

A song for Francesca: music in Italy, 1330- 1430.

Andrieu, F., fl. late 14th c.

See:The Art of courtly love. ; The art of courtly love; Codex Chantilly: airs de cour du XIVe siecle ; A distant mirror; Shakespeare's music.; Guillaume Dufay und seine Zeit.

Anerio, Felice, ca. 1560-1614

See:Historical anthology of music in performance. ; Masters of the high Renaissance; Music for holy week.

Anne Boleyn, Queen, consort of Henry VIII, King of England, 1507-1536

See:Anne Boleyn in the Women Composers Discography

Annibale, Padovano, 1527-1575

See:I dolce frutti: music in Venice before Monteverdi; Music in medieval and Renaissance life; A Survey of the world's greatest organ music: Italy: volume 2.

Ansano, da Siena, 15th cent.

See:Vinci l'Harmonie du monde.

Anthonello, de Caserta, 14th/15th cent.

See:A distant mirror; Shakespeare's music.; The Garden of Zephirus: courtly songs of the early 15th century.

Anthony de Countie?

See:Robin is to the greenwood gone: Elizabethan lute music.

Antico, Andrea, Fl. 1517

See:Early Italian harpsichord music; Guide des instruments de la Renaissance; Voices of the Middle Ages, music from a Gothic cathedral.

Antonius, de Civitate Austrie, fl. 1420-1425

See:Popes & antipopes.

Appenzeller, Benedictus, 1480/88-1558

See:Early music of the Netherlands: 1400-1800;Staatsmusik der Renaissance; Totenklagen; elegies & occasional motets.

Arbeau, Thoinot, 1519-1595.

Arbeau's Orchesographie.
Arabesque Z6514, p1989, 1984.
PERFORMERS: New York Renaissance Band; Sally Logemann, director.
NOTES: Notes in container.
DOUGLASS COMPACT DISC CX5019

Court dances of medieval France [from] Thoinot Arbeau's Orchesographie.
Turnabout TV 34008S [1965]
PERFORMERS: Performed by the Telemann Society.
NOTES: Program notes by R. D. Darrell.
Harmonized and scored by Richard Schulze for instrumental ensemble from the original tunes.
DOUGLASS PHONODISC DMds 7282

Washerwomen, war and pease: the music of Arbeau's Orchesographie.
Arabesque 6514, p1984.
PERFORMERS: New York Renaissance Band; Sally Logemann, director.
NOTES: Program notes on container.
CONTENTS: Pavanne, galliard, basse dance, tourdion--Galliards--Basic branles--Mixed branles--Branles of other regions--Mimed branles--Other branles--Other dances.
DOUGLASS PHONODISC DMds 5935

See also:Carlos V: Mille regretz: la cancion delemperador; Dance music of the 16th, 17th, and 18th centuries ; Danses populaires françaises & anglaises du XVIesiecle.; French chansons; A French collection ; Guide des instruments de la Renaissance; Parels uit vier eeuwen koormuziek; Pathways of Renaissance music: [l'Europe musicale aux XVe et XVIe siecles]; To drive the cold winter away; Trumpet and harp.

Arcadelt, Jacob, ca. 1505-1568

See:Chanson, madrigal, choral song ; Doulce memoire [French chansons of the XVI century] ; Flemish composers in renaissance Italy ; French chansons; The Glory of the Italian madrigal: twenty madrigals; Historical anthology of music in performance; A History of Western Music; Italian madrigals and Haydn part songs; Madrigal masterpieces; The Most beautiful madrigals= Les plus beaux madrigals = Die schonsten Madrigale; Motetten. Motets; Renaissance; Renaissance duets; Renaissance vocal music.

Arnaut, Daniel, Fl. 1189

See:The Dante troubadours; A mediaeval banquet: music from the age of chivalry; Troubadour and trouvere songs; Troubadour and trouvere songs.

Asola, Giovanni Matteo, d. 1609

See:Andrea Gabrieli and contemporaries of the Venetian school (16th century) motets; Motets of the Venetian School, 16th Century.

Assandra, Caterina, b. ca. 1580

See: Women's voices: five centuries of song

Aston, Hugh, b. ca. 1485

See:English virginal music; Historic organs of England ; Music at the English royal court; Renaissance dances [from the 14th through 16th centuries].

Attaingnant, Pierre, fl. 1528-1549

See:The Art of the lute. ; Die Authentischen Orgeln aus Renaissance und Barock= Authentic Renaissance and baroque organs; Calliope dances: a Renaissance revel ; Calliope dances: a Renaissance revel ;Choreae & carmina: Renaissance dances from the collections of Pierre Phalese Sen and Jun and their vocal concordances; Dance music of the Renaissance ; Dance music of the 16th, 17th, and 18th centuries ; French music of the Middle Ages and Renaissance; Guide des instruments de la Renaissance ; A History of Western Music; In a medieval garden, instrumental and vocal music of the Middle Ages and Renaissance; Medieval and Renaissance music for the Irish and medieval harps, viele, recorders, and tambourin; Medieval and Renaissance minstrels, songs & dances; Musicke of sundrie kindes; Musik für Laute[Music for lute]; Musique a la cour de Marguerite d'Autriche [Basses danses et chansons, 1450-1550]; Les Precurseurs; Renaissance dances [from the 14th through 16th centuries]; Renaissance faire; Renaissance music for brass; La rocque 'n' roll: popular music of renaissance France; Tanzmusik der Renaissance = Dance music of the Renaissance.

Audefroi, le Bastart, fl. 1190-1230

See:Songs of the trouveres.

Azalais, de Porcairagues, fl. ca. 1170

See:Lo gai saber: troubadours et jongleurs 1100-1300 = troubadours and minstrels = Troubadoure und Spielmänner.

Azzaiolo, Filippo, fl 1557-1569

Villote del fiore.
Vox STDL 500 900, 1962.
PERFORMERS: Petite ensemble vocal, Montreal; George Little, director.
NOTES:Program notes & text with English paraphrases.
DOUGLASS PHONODISC DMds 250

See also:A Concert of early music; In the streets and theatres of London: Elizabethan ballads and theatre music = Strassengesange und Theatermusik aus Elisabethanischer Zeit = Ballades et airs de theatre elisabethaines ; Musicke of sundrie kindes; O dolce vita mia: Italian music from the High Renaissance; 16th century Italian & French dance music.

B

Badajóz (Composer), 1460?-1526?

See:El cancionero de palacio: 1474-1516; Secular vocal music of the Renaissance.

Bakfark, Balint, 1507-1576

Hungarian keyboard music of the 16th-18th centuries.
Candide CE 31032, [1970?]
PERFORMERS: Janos Sebestyen, harpsichord.
NOTES: Program notes by E.F. Kenton.
CONTENTS INCLUDE: Fantasia.
DOUGLASS PHONODISC DMds 6943

See also: Musik für Laute. [Music for lute.]

Baldwin, John, d. 1615

See:In nomine: English consort music for viols.

Ballard, Robert, ca. 1575-ca. 1650

See:Musik für Laute [Music for lute]; La rocque 'n' roll: popular music of renaissance France.

Banaster, Gilbert, ca. 1445-1487

See:Songs from the Fayrfax Manuscript.

Barberiis, Melchiore de, fl. mid-16th c.

See:Music of the Renaissance, for lutes, vihuelas, and citterns; Musicke of sundrie kindes.

Barbingant, c.1445 - 1460

See:Le Chansonnier cordiforme.

Barbion,Eustachius,d. 1556

See:Staatsmusik der Renaissance.

Barbireau, Jacques, d. 1491

See:The art of the recorder; Court music for King Matthias ; French music of the courts of Burgundy & Versailles ; Missa De plus en plus.

Bargagli, Girolamo, 1537-1586

Una "Stravaganza" dei Medici: intermedi (1589) per "La pellegrina".
EMI CDC 7 47998 2, p1988.
PERFORMERS:Tessa Bonner, Emma Kirkby, Emily Van Evera, sopranos; Nigel Rogers, tenor; Taverner Consort; Taverner Choir; Taverner Players; Andrew Parrott, conductor.
NOTES: Program notes in English by Hugh Keyte, with French and German translations, and Italian texts with English, French, and German translations.
CONTENTS:The harmony of the spheres = Die Harmonie der Spharen--The singing contest between the Pierides and the Muses = Der Gesangswettstreit zwischen den Pieriden und den Musen--Apollo slays the monster at Delphi = Apollo besiegt das Ungeheuer zu Delphi--The Golden Age is foretold = Die Weissagung des Goldenen Zeitalters--Arion and the dolphin = Arion und der Delphin--Jove's gift to mortals of rhythm and harmony = Jupiter schenkt den Menschen Rhythmus und Harmonie.
DOUGLASS COMPACT DISC CX8764

Bartolino da Padova, fl. 1365-1405

See:Les tres riches heures du moyen age: a medieval journey; Vinci l'Harmonie du monde.

Bartolomeo da Bononia, fl.c1405-1427

See:Popes & antipopes.

Bassano, Augustine, d. 1604

See:Venice preserved.

Bassano, Giovanni, fl. 1585-1615.

Music for the Recorder from the Middle Ages to the Twentieth Century.
Vanguard VSD 7125, 1981.
PERFORMER: Walter van Hawe, recorder solo.
CONTENTS INCLUDE: Ricercata sesta.
DOUGLASS PHONODISC DMds 4547

Vespro della Beata Vergine, 1610.
London 443 482-2/484-2, 1994.
PERFORMERS:Jill Gomez, Felicity Palmer, sopranos; James Bowman, counter-tenor; Robert Tear, Philip Langridge, tenors; John Shirley-Quirk, baritone; Michael Rippon, bass; Monteverdi Choir; Salisbury Cathedral Boys Choir; Monteverdi Orchestra; Philip Jones Brass Ensemble; David Munrow Recorder Ensemble; John Eliot Gardiner, conductor. On motets: The Monteverdi Choir; Philip Jones Brass Ensemble; Philip Jones Wind Ensemble; John Eliot Gardiner, conductor.
NOTES: Program notes in English by Gardiner.
CONTENTS INCLUDE:Hodie Christus natus est.
DOUGLASS COMPACT DISC CX8543

See also:Music from Venice; Guide des instruments de la Renaissance; Music of the waits; O dolce vita mia: Italian music from the High Renaissance; La rocque 'n' roll: popular music of renaissance France; Venice preserved.

Bassano, Jerome, 1559-1635

See:Venice preserved.

Baston, Josquin, fl. late 16th c.

See:The Most beautiful madrigals= Les plus beaux madrigals = Die schonsten Madrigale.

Batten, Adrian, 1591-1637

Tudor church music.
Argo ZRG 5318, p1962.
PERFORMERS: Choir of Peterborough Cathedral; Richard Latham, organ; Stanley Vann, conductor.
CONTENTS INCLUDE:O sing joyfully; Magnificat: the 4th service; Nunc dimittis: the 4th service; O Lord, thou hast searched me out; Hear my prayer; Out of the deep; O clap your hands together.
DOUGLASS PHONODISC DMds 312

Beaulieu, Eustorg de, d. 1552

See:Renaissance vocal music.

Bedyngham, John, D. 1459?

See:The castle of fair welcome: courtly songs of the later fifteenth century ; Le Chansonnier cordiforme; Joculatores Dei = Minstrels of God; The passion of reason: the Sour Cream legacy.

Belle, Jan van, fl 16th c.

Int groene (In the meadows).
PERFORMERS: Gentse Oratorumvereniging; Marcel de Pauw, conductor.
DOUGLASS PHONODISC DMdl 267

See also:Flemish choral Music; Parels uit vier eeuwen koormuziek.

Bell'haver, Vincenzo, 1530-1587

See also:I dolce frutti: music in Venice before Monteverdi and A Survey of the world's greatest organ music: Italy: volume 2.

Bendinelli, Cesare, d. 1617

See:A la incoronation: musiche per l'incoronazione di Carlo V, Bologna 1530; The marriage of England and Spain.

Bendusi, Francesco, fl.1553

See:Calliope festival: an Italian Renaissance revel; Mediaeval and Renaissance sounds.; Renaissance dances [from the 14th through 16th centuries]; A thousand pearls.

Bennet, John, Fl. 1599-1614.

Music in honor of St. Thomas of Canterbury.
Nonesuch 71292-4, p1974.
PERFORMERS: Accademia Monteverdiana; Trinity Boys' Choir; Denis Stevens, conductor.
CONTENTS INCLUDE: Sanctus, Jacet granum / attr. to John Benet.
DOUGLASS CASSETTE 1534M

See also: Crystal tears; The English madrigal school; The English madrigal school; The English madrigal school.; English madrigals; Flora gave me fairest flowers: English madrigals; Flora gave me fairest flowers: English madrigals; The King's Singers' madrigal collection; Madrigals and wedding songs for Diana; Music from the Kinsky; Musical panorama of Shakespeare's England; Purcell in the ale house: English part songs; Renaissance vocal music; Triumphs of Oriana; [music to entertain Elizabeth I]; Triumphs of Oriana: 25 old English madrigals by 23 Elizabethan composers.

Berenguer de Palol, fl. early 12th c.

See:Iberian garden: [Jewish, Christian and Muslim music in medieval Spain]; Medieval courtly monody 12th & 13th centuries) [and] Arabian- Andalusian music 3th century).

Bernard of Cluny, 11th c.

See:The medieval experience; Music of the gothic era; Music of the gothic era; O tu chara scienca: musique de la pensee medievale.

Bernart, de Ventadorn, 12th cent.

The testament of Tristan.
Hyperion CDA 66211, p1987.
PERFORMERS:Martin Best, tenor, accompanying himself on baldozo, oud, or psaltery.
NOTES:Program notes by the tenor and texts with English translations by W.D. Snodgrass.
CONTENTS:Singing: Pois preyatz me, senhor. Non es meravelha s'eu chan--Nature and joy: Can par la flor. Can l'erba fresh' e.lh folha. Can vei la flor--Nature and sorrow: La dousa votz ai auzida. Lancan vei la folha. Ara no vei luzir soleth: unaccompanied--Consummation: Ab joi moi lo vers e.l comens. Tant ai mo cor ple de joya--Confusion: Amors, e que.us es vejaire?--Exile: Be m'an perdut lai enves Ventadorn.
DOUGLASS COMPACT DISC CX1432

See also:Chansons der Troubadours: Lieder und Spielmusik aus dem 12. Jahrhundert; The Dante troubadours ; Early medieval music up to 1300; Le fou sur le pont; Lo gai saber: troubadours et jongleurs 1100-1300 = troubadours and minstrels = Troubadoure und Spielmänner; Harp music from the Middle Ages; Historical anthology of music in performance ; History of European music; A History of Western Music;Instrumental music in the troubadour tradition; The marriage of heaven and hell: motets and songs from 13th-century France.; A mediaeval banquet: music from the age of chivalry; Musik des Mittelalters und der Renaissance; Proensa; Songs of chivalry; A treasury of early music [an anthology of masterworks of the Middle Ages, the Renaissance, and the Baroque]; Les tres riches heures du moyen age: a medieval journey; Troubadour and trouvere songs; Troubadour and trouvere songs;   Troubadours & trouveres; The world of Adam de la Halle.

Bertolusi, Vincenzo, ca. 1550-1607 or 8

See:Music from the time of Christian IV: church music at court and town.

Bertoldo, Sperindio, ca. 1530-1570

See:A Survey of the world's greatest organ music: Italy: volume 2.

Bertran, de Born, seigneur de Hautefort, 1140?-1215

See:The Dante troubadours ; Lo gai saber: troubadours et jongleurs 1100-1300 = troubadours and minstrels = Troubadoure und Spielmänner; A mediaeval banquet: music from the age of chivalry.

Bertrand, Antoine De, D. Ca. 1581

See:Doulce memoire. [French chansons of the XVI century] ; La Fleur des musiciens de Pierre de Ronsard.; French chansons; Pathways of Renaissance music: [l'Europe musicale aux XVe et XVIe siecles]

Besard, Jean-Baptiste, b. ca. 1567- c1616

See:Airs de cour ; The Art of the lute ; French dances of the Renaissance and other celebrated pieces of the Renaissance and Baroque ; Historical dance course.; Music of the Renaissance, for lutes, vihuelas, and citterns; Musik für Laute [Music for lute]; Renaissance duets.

Béthune, Conon de, fl. 1180-1220

See:La Folia de la spagna. ; Lo gai saber: troubadours et jongleurs 1100-1300 = troubadours and minstrels = Troubadoure und Spielmänner.

Binchois, Gilles, 1400 (ca.)-1460.

Chansons, rondeaux, ballades, missa, magnificat.
Harmonia Mundi HM 10069, c1980.
PERFORMERS: Clemencic Consort; Rene Clemencic, conductor.
CONTENTS: Mon cuer chante--Triste plaisir--Amoreux suy--Dueil angiosseus--Joyeux penser--De plus en plus--C'est assez--Files a marier--Jeloymors--Missa--Magnificat--Adieu, adieu.
DOUGLASS PHONODISC DMds 4081

Missa De plus en plus; Missa Au travail suis.
Gimell 454 935-2, p1997.
PERFORMERS: The Tallis Scholars; Peter Phillips, director.
NOTES:Program notes by Peter Phillips, and texts with English translations.
CONTENTS INCLUDE: De plus en plus se renouvelle (chanson).
LANGUAGE:Sung in French and Latin.
DOUGLASS COMPACT DISC CX3983

Veni, Creator Spiritus.
Archiv Produktion 2533 404. p1978.
PERFORMERS: Pro Cantione Antiqua (chamber chorus); Bruno Turner, conductor.
DOUGLASS PHONODISC DMds 3168

See also:The Art of courtly love; The art of courtly love; The castle of fair welcome: courtly songs of the later fifteenth century ; Courts and chapels of Renaissance France; Early music of the Netherlands: 1400-1800; Food, wine & song: music and feasting in Renaissance Europe ; French music of the courts of Burgundy & Versailles; French music of the Middle Ages and Renaissance; From Guillaume Dufay to Josquin des Pres: love songs of the 15th century; Frühe Musik in Italien, Frankreich und Burgundy ; Guillaume Dufay und seine Zeit; Historical anthology of music in performance ; History of European music; Masterpieces of the early French & Italian Renaissance; The medieval experience; Les Menestriers; Missa De plus en plus; Music at the Burgundian court, 1430-1500; Music from the court of Burgundy; New London Chamber Choir; Noel, noel!: noels francais = French Christmas music 1200-1600.

Black, John, fl. 1546-1587

See:Sacred music for Mary, Queen of Scots; Virtuoso recorder music.

Blackhall, Andrew, 1536 - 1609

See:Mary's music: songs and dances from the time of Mary Queen of Scots; On the banks of Helicon: early music of Scotland.

Blitheman, John, Ca. 1525-1591

See:Die Authentischen Orgeln aus Renaissance und Barock= Authentic Renaissance and baroque organs; English keyboard music [from the Tudor age to the Restoration] ;--Rund um die Welt. Volume 1.

Blitheman, William, mid.16th c.

See: Blitheman, John

Blondel de Nesle, 12th cent.

See:Harp music from the Middle Ages; The marriage of heaven and hell: motets and songs from 13th-century France; A mediaeval banquet: music from the age of chivalry; Songs of chivalry.

Bonnet, Pierre, fl. 1585-1600

See:Chanson, madrigal, choral song ; La Fleur des musiciens de Pierre de Ronsard; French madrigals and chansons; Italian madrigals ; French Renaissance vocal music; Renaissance favorites.

Bonus, Petrus, fl. 1323-1330

See:Court music for King Matthias.

Borlet, fl. late 14th c.

See:The Art of courtly love; The art of courtly love; Frühe Musik in Italien, Frankreich und Burgundy; and In a medieval garden, instrumental and vocal music of the Middle Ages and Renaissance.

Borrono, Pietro Paolo, c.1490-95 - ca.1563

See:Dolcissima et amorosa: early Italian Renaissance lute music; Music of the Renaissance virtuosi; and Pathways of Renaissance music: [l'Europe musicale aux XVe et XVIe siecles].

Bossinensis, Franciscus, fl. 1510

See:Petrucci, first printer of music.

Bottegari, Cosimo, 1554 - 1620

See:Musicke of sundrie kindes.

Bourgeois, Louis, ca. 1510-15 - 1559

See:Historical anthology of music in performance and La rocque 'n' roll: popular music of renaissance France.

Bourlet

See:Borlet, fl. late 14th c.

Bovicelli, Giovanni Battista, fl.1592-4

See:Renaissance love songs.

Brasart, Johannes

See: Brassart, Johannes

Brassart, Johannes, c1400/05- ca.1455

See:Geistliche Musik um 1400; Guillaume Dufay und seine Zeit; Lieder und Antiphonen; Popes & antipopes; Religious music around 1400.

Brihuega, Bernaldino de, fl.c1488-1516

See:Medieval and Renaissance music for the Irish and medieval harps, viele, recorders, and tambourin.

Briquet,fl. ca. 1420

See:The Garden of Zephirus: courtly songs of the early 15th century.

Brolo, Bartolomeo, fl. 1400-1440

See:The Garden of Zephirus: courtly songs of the early 15th century.

Browne, John, fl. ca. 1490

Stabat Mater.
Virgin Classics 7243 5 45272 2 7, 1997.
PERFORMERS:Joanne Andrews, soprano; Deborah Miles-Johnson,mezzo-soprano; Simon Berridge, tenor; Fretwork; Taverner Consort; Taverner Choir; Andrew Parrott, conductor.
NOTES:Program notes in English by Malcolm Bruno with Latin and English texts of Stabat Mater.
CONTENTS: [For complete contents, click on record title.]
LANGUAGE:Sung in Latin.
DOUGLASS COMPACT DISC CX5279

See also:Eton choirbook, record 2; My fayre ladye: Tudor songs and chant; Songs for a Tudor king; Songs from the Fayrfax Manuscript.

Bruck, Arnold Von, 1500?-1554

See:Continental collection;Historical anthology of music in performance; Musik der Reformation= Music of the Reformation = Musique de la Reformation.

Brudieu, Joan, ca. 1520-1591

See:Catalan music from medieval and renaissance Spain;Le Moyen Age catalan de l'art roman a la Renaissance; and Spanish choral music

Bruhier, Antoine, Fl. 1514-1518

See:Medieval roots; Petrucci, first printer of music; and Staatsmusik der Renaissance.

Brumel, Antoine, ca. 1460 - ca. 1515

Ars perfecta; [motets by Josquin des Prez and Antoine Brumel for low voices].
Musical Heritage Society MHS 3558. p1982.
PERFORMERS: Harvard Glee Club; F. John Adams, conductor.
CONTENTS: Sub tuum praesidium--Mater patris et filia--Quae, est ista/Et sicut dies--Ave, ancilla trinitatis--O Domine Jesu Christe.
DOUGLASS PHONODISC DMds 4109

Magnificat and motets.
Chanticleer Records CR-8808, p1992.
PERFORMERS:Chanticleer; Joseph Jennings, music director.
NOTES: Program notes by Jeremy Noble and Stephen R. Miller, and Latin texts with English translations.
CONTENTS INCLUDE:Mater Patris et filia.
DOUGLASS COMPACT DISC CX8604

Les maitres d'orgue de Chartres: Pierre Cochereau aux grandes orgues renovees de la cathedrale de Chartres.
Philips 6504 026, [197-?].
PERFORMERS: Pierre Cochereau, playing the organ of Chartres Cathedral.
NOTES: Program notes in French.
CONTENTS INCLUDE: Motets: Benedictus; Regina coeli; Sicut lilium inter spinas.
DOUGLASS PHONODISC DMds 7235

Missa Berzerette savoyenne.
Chanticleer Records CR-8805, p1991.
PERFORMERS:Chanticleer, male chorus.
NOTES:Texts with English translations, and program notes by Barton Hudson.
CONTENTS INCLUDE: Missa Berzerette savoyenne; Laudate Dominum; Sicutlilium inter spinas; Heth, Cogitavit Dominus; Lauda Sion.
LANGUAGE:Sung in French and Latin.
DOUGLASS COMPACT DISC CX6116

Missa Et ecce terrae motus.
Gimell CDGIM 026, p1992.
PERFORMERS: The Tallis Scholars; Peter Phillips, director.
NOTES: Eds. recorded: Mass: Francis Knight; Lamentations: Ivan Moody; Magnificat: Peter Phillips.
Program notes in English with Italian, French, and German translations and texts in Latin with English, Italian, French, and German translations.
CONTENTS: Missa Et ecce terrae motus--Lamentations-- Magnificat secundi toni.
DOUGLASS COMPACT DISC CX2171

The Montreal Bach Choir.
Canadian Broadcasting Corp. International Service MG-832--MG-833,[196-?]
PERFORMERS: Montreal Bach Choir; George Little, conductor.
NOTES: Notes in English and French, and English texts.
CONTENTS INCLUDE: Sicut lilium.
DOUGLASS PHONODISC DMdl 1334

See also:The art of the Netherlands (1450-1520); The brightest heaven of invention: Flemish polyphony of the High Renaissance; Court and ceremonial music of the 16th century; Early music of the Netherlands: 1400-1800; From Guillaume Dufay to Josquin des Pres: love songs of the 15th century; Medieval and Renaissance music for the Irish and medieval harps, viele, recorders, and tambourin.; Musique a la cour de Marguerite d'Autriche [Basses danses et chansons, 1450-1550]; New London Chamber Choir; Noel, noel!: noels francais = French Christmas music 1200-1600; The passion of reason: the Sour Cream legacy; Totenklagen; elegies & occasional motets; Works from the repertoire of the Imperial Chapelle.

Buchner, Hans, 1483-1538

See: The instruments of the Middle Ages and Renaissance; Renaissance dances [from the 14th through 16th centuries]; La Spagna: siglos XV-XVI-XVII; and La Spagna: siglos XV-XVI-XVII.

Bull, John, b.ca. 1562 - d.1628

Masters of Early English Keyboard Music V.
Editions de l'Oiseau-Lyre SOL 255, 1963.
PERFORMER: Thurston Dart.
NOTES: Program notes by Thurston Dart.
CONTENTS:Why ask you?--Bonny sweet Robin--Pavan & Galliard--Pavan & Gallieard symphony--Galliard--Pavan in the second tone--Coranto "Kingston"--Queen Elizabeth's pavan--Duke of Brunswick's alman--English toy--Duchess of Brunswick's toy--Dutch dance--Gallaird--Dallying alman--Welsh dance--Runswick's toy--Dutch dance--Gallaird--Dallying alman-- Welsh dance--Regina Galliard--My self--My grief--My jewel--Bull's goodnight.
DOUGLASS PHONODISC DMds 2166

Sweet pipes: five centuries of recorder music.
Columbia MS 6475, c1963.
PERFORMERS: Bernard Krainis, recorder, with the Krainis Consort and Baroque Ensemble.
NOTES: Program notes by Krainis and biographical notes.
CONTENTS: [For complete contents, click on album title.]
DOUGLASS PHONODISC DMds 11139

See also:Brombaugh opus 9: five centuries of organ music; Early English keyboard music; Early English organ music; Elisabethanische Orgelkunst; The Elizabethan viols;English Harpsichord Music; English keyboard music [from the Tudor age to the Restoration]; English virginal music; The Fitzwilliam virginal book; selections; The Fitzwilliam virginal book; The Fitzwilliam Virginal Book; transcriptions for a mixed consort ; Go from my window; Heart's ease; Historical anthology of music in performance ; In nomine: English consort music for viols; Music from the time of Elizabeth I;Music of the high Renaissance in England; The Netherlands, 17th century; A treasury of early music [an anthology of masterworks of the Middle Ages, the Renaissance, and the Baroque]; Trumpet and harp; and The Trumpet shall sound.

Bulman, Baruch, fl.16th c.

See:Musik für Laute [Music for lute] and The Golden age of English lute music.

Burck, Joachim van, 1546-1610

See:Medieval and Renaissance minstrels, songs & dances.

Busnois, Antoine, d. 1492.

Chansons.
Nonesuch Records H 71247, [1970].
PERFORMERS: Nonesuch Consort; Joshua Rifkin, director.
NOTES: Program notes by Joshua Rifkin and texts of the chansons with English translations.
CONTENTS: Amours nous traicte/Je m'en vois--A une dame--Bel acueil--A que ville--Terrible dame--Maintes femmes--Seule apart moy--Accordes moy.
DOUGLASS PHONODISC DMds 9874

In hydraulis.
Musical Heritage Society MHS 4179. p1980.
PERFORMERS:Cappella Nova; Richard Taruskin, director.
DOUGLASS PHONODISC DMds 3944

In hydraulis & other works.
Dorian DOR-90184, p1993.
PERFORMERS: Pomerium; Alexander Blachly, conductor.
NOTES: Biographical and program notes by Alexander Blachly and texts with English translations.
CONTENTS: In hydraulis--Anthoni usque limina--Victime pascali: plainchant; Victime pascali--Regina celi: plainchant; Regina celi I-- A que ville--Bel acueil--Je ne puis vivre--Missa O crux lignum triumphale
DOUGLASS COMPACT DISC CX5113

Missa L'homme arme.
Archiv Produktion 2533 404, p1978.
PERFORMERS:: Pro Cantione Antiqua (chamber chorus with positive organ and sackbut doubling the vocal parts); Bruno Turner, conductor.
DOUGLASS PHONODISC DMds 3168

Motets by Busnoys.
Titanic Ti-202, p1991.
PERFORMERS: Capella Alamire; Peter Urquhart, director.
DOUGLASS COMPACT DISC CX2199

Victimae paschali laudes.
Gaudeamus CD GAU 139, p1994.
PERFORMERS:The Clerks' Group; Edward Wickham, conductor.
NOTES:Program notes in English, French, and German and texts with English translations.
DOUGLASS COMPACT DISC CX2643

See also:The art of polyphony; The brightest heaven of invention: Flemish polyphony of the High Renaissance; Le Chansonnier cordiforme ; Early music of the Netherlands: 1400-1800; French music of the courts of Burgundy & Versailles ; Masterpieces of the early French & Italian Renaissance; Missa prolationum; Music from the court of Burgundy; A musical book of hours; A Renaissance tour of Europe; Villon to Rabelais: 16th century music of the streets, theatres, and courts.

Buus, Giacques, d. 1565

See:Chansons et danceries: French Renaissance wind music = Franzosische Blasermusik der Renaissance = Musique francaise de la Renaissance pour instruments a vent.

Byrd, William, 1542 or 3-1623.

Ave verum corpus: motets and anthems.
Collegium Records COLCD 110, c1989.
PERFORMERS: Cambridge Singers; John Rutter, director.
DOUGLASS COMPACT DISC CX1285 + Doug Circ COMPACT DISC CX1285

The bells.
Decca DL 710,113, [1965].
PERFORMERS: Sylvia Marlowe, harpsichord.
DOUGLASS PHONODISC DMds 332

Cantiones sacrae (1589).
CRD 3408, [p1983?].
PERFORMERS: Choir of New College, Oxford; Edward Higginbottom, director.
DOUGLASS COMPACT DISC CX95

Cantiones sacrae (1575).
CRD 3492, p1996.
PERFORMERS: Choir of New College Oxford; Edward Higginbottom, director.
NOTES: Program notes and Latin texts with English translations.
CONTENTS: Tribue Domine--Siderum rector--Domine secundum--Fantasia in d--Attollite portas--Miserere mihi--Fantasia in c--Aspice domine--Peccantem me quotidie--Salvator mundi II--O lux beata trinitas.
DOUGLASS COMPACT DISC CX4712

Consort music of England, circa 1600-1640.
Telefunken SAWT 9481-A Ex, [1966].
PERFORMERS:Leonhardt-Consort; Gustav Leonhardt, organ and conductor.
NOTES:Historical background notes and program notes on album.
CONTENTS INCLUDE: Pavan and Galliard; Fantasia no.3; Miserere, 4 parts (Gloria tibi trinitas); Fantasia no.2.
DOUGLASS PHONODISC DMds 10512

Consort of musicke.
Sony Classical SMK 52589, p1993.
PERFORMERS: Glenn Gould, piano.
NOTES: Program notes in German, Italian, English and French.
CONTENTS: First pavan and galliard--Hughe Ashton's ground; Sixth pavan and galliard--A voluntary; Sellinger's ground.
DOUGLASS COMPACT DISC CX4757

Deck the halls: songs for Christmas.
EMI Records HQS 1308 E, p1973.
PERFORMERS: Performed by the King's Singers.
NOTES:Texts in English or English translations to songs.
CONTENTS: [For complete contents, click on album title.]
DOUGLASS PHONODISC DMds 4046

Diliges Dominum; Ad Dominum cum tribularer; Mass for 5 voices with Propers.
Virgin Classics VC 7 90802-2, p1989.
PERFORMERS:The Sixteen; Harry Christophers, conductor.
NOTES:The movements of the Mass are interspersed with the Propers for the feast of All Saints from Gradualia (1605 & 1607).
Program notes by Sally Dunkley in English, German, French and texts in Latin, English, German and French.
DOUGLASS COMPACT DISC CX15639

The Earl of Salisbury's Pavan.
Canadian Broadcasting Corp. SM 281, 1975.
PERFORMERS:CBC Winnipeg Orchestra, Eric Wild & Boyd Neel, conductors.
NOTES:Program notes on container.
DOUGLASS PHONODISC DMds 4018

The early Byrd: early works for voices, viols and virginals. Vol. 1.
Chandos, p1995.
PERFORMERS:Sophie Yates, virginal; I Fagiolini (vocal ensemble);Fretwork (viol ensemble)
NOTES:Program notes by John Milsom and Robert Hollingworth and biographical notes on the performers in English, French, and German, and texts of the vocal works with English translations of Latin words.
CONTENTS:Attollite portas--Triumph with pleasant melody--O Lord, how vain--All in a garden green--Domine secundum actum meum--Truth at the first--Who likes to love--Wolsey's wilde--Da mihi auxilium--Farewell, false love--O mistrys myne--Miserere mihi, Domine--My mind to me a kingdom is--La volta--Ad Dominum cum tribularer.
LANGUAGES:Vocal works sung in English and Latin, "in periodpronunciation".
Doug Circ COMPACT DISC CX3142 c.2 + DOUGLASS COMPACT DISC CX3142

Early Latin church music; Propers for Lady Mass in Advent.
ASV/Gaudeamus CD GAU 170, c1997.
PERFORMERS:The Cardinall's Musick; The Frideswide Consort; Andrew Carwood,director.
NOTES:Program and historical notes by David Skinner and Andrew Carwood in English, French, and German, and Latin texts with English translations.
CONTENTS: [For complete contents, click on record title.]
LANGUAGE:Sung in Latin.
DOUGLASS COMPACT DISC CX4761

English Renaissance.
RCA Victor Red Seal 09026-68004-4, p1995.
PERFORMERS: The King's Singers: David Hurley, counter-tenor; Nigel Short, counter-tenor; Robert Chilcott, tenor; Bruce Russell, baritone; Philip Lawson, baritone; Stephen Connolly, bass.
NOTES: Program notes on insert.
CONTENTS: Haec dies--Beata viscera Mariae Virginis; Ave verum corpus; Vigilate; Viri Galilaei; O Lord, make thy servant Elizabeth, our Queen; Sing joyfully; Laudibus in santis.
DOUGLASS CASSETTE 2185M

The Four & Five Part Masses.
EMS 234, 1954.
PERFORMERS:Pro Musica Antiqua, Safford Cape, conductor.
NOTES:Program Notes by Safford Cape.
DOUGLASS PHONODISC DMdl A24 v.34

Glenn Gould plays music of William Byrd and Orlando Gibbons.
CBS MP 39552, [1984]
PERFORMER: Glenn Gould, piano.
NOTES: Notes by the performer.
CONTENTS: First pavan and galliard; Hughe Ashton's ground; Sixth pavan and galliard; A voluntary; Sellinger's round.
DOUGLASS PHONODISC DMds 11655

Great Britain.
Collins Classics 14872, p1996.
PERFORMERS:The Clerks of the Choir of New College, Oxford; Edward Higginbottom, conductor.
NOTES: Program notes in English, French, and German and texts with English translation.
CONTENTS:Lamentations; The four-part mass.
LANGUAGE:Sung in Latin.
DOUGLASS COMPACT DISC CX15515

The great service.
Vanguard VRS 453, [1954].
PERFORMERS: Chamber Chorus of Washington; Paul Callaway, conductor.
NOTES:Program Notes by David Randolph.
DOUGLASS PHONODISC DMdl 2353

Julian Bream in concert.
RCA LSC 2819. [1965]
PERFORMERS: Julian Bream, lute, in part with Peter Pears, tenor.
NOTES: Program notes by John Gruen and by Peter Pears, the latter including the texts of the vocal works.
CONTENTS INCLUDE: Pavana Bray; Galliards, keyboard instrument, MB 29b; Pavans, keyboard instrument, MB 23a; Rowland.
DOUGLASS PHONODISC DMds 1297

Keyboard music.
Decca DL 710040, [1961].
PERFORMER: Paul Maynard, organ and harpsichord.
NOTES: Program notes by Paul Maynard.
CONTENTS: Fantasia--Miserere--Mr. Birds upon a plainesong--Mr. Birds (upon the same plainesong)--If my complaints, or pypers gal(liard)--A fancie--A pavion of Mr. Birde--The galliard to it--The carmans whistle--A voluntarie--Pavana, The Earle of Salisbury--Galiardo--Ut-re-my-fa-sol-la--John come kiss me--The 2nd French coranto--The tennthe pavian, Mr. W. Peter--The galliarde to the tennthe pavian--The bagpipe and the drone--The flute and the droome.
DOUGLASS PHONODISC DMds 9680

Mass for five voices. Magnificat and Nunc dimittis, from the Great service. Motet: Ave verum corpus.
Argo ZRG 5226[1960]
PERFORMERS: Choir of King's College Chapel, Cambridge; David Willcocks,conductor.
DOUGLASS PHONODISC DMdl 2521 (IN STORAGE)


Mass for five voices; Magnificat and Nunc dimittis, edited Fellowes, from the Great service; Motet, Ave verum corpus.
London OS 25725, [1963?].
PERFORMERS: Choir of King's College Chapel, Cambridge; David Willcocks, conductor.
NOTES: Program notes by Andrew Raeburn.
DOUGLASS PHONODISC DMds 8941

Mass for five voices. Motets from Gradualia.
Bach Guild HM-7 SD, p1972.
PERFORMERS: Deller Consort; Alfred Deller, countertenor and director.
DOUGLASS PHONODISC DMds 4022

Mass for five voices. Mass for four voices.
Argo ZRG 858, p1977.
PERFORMERS: Choir of Christ Church Cathedral, Oxford; Simon Preston,conductor.
DOUGLASS PHONODISC DMds 3487

Mass for four voices; Mass for five voices.
Vox STDL 500,880, [1962].
PERFORMERS: Societe de la Chorale Bach de Montreal; George Little, director.
DOUGLASS PHONODISC DMds 294

Mass for four voices: Ave verum.
BBC Music Magazine BBC MM70, p&c1998.
PERFORMERS:BBC Singers; Bo Holten, conductor.
DOUGLASS COMPACT DISC CX9926

Mass in three parts. Mass in four parts.
London OS 25795, [1963].
PERFORMERS: Choir of King's College, Cambridge; David Willcocks, conductor.
NOTES: Program notes by Andrew Raeburn.
DOUGLASS PHONODISC DMds 1307

Masses, antiphons, motet.
Harmonia Mundi HMC 905182, p1987.
DOUGLASS COMPACT DISC CX947

Masses for four voices; Virginal music.
Archiv Produktion SAPM 198 301, [1962]
SERIES:Archiv Produktion, IV. Forschungsbereich. Hochrenaissance (16. Jahrhundert). Serie M: Die elisabethanische Epoche.
PERFORMERS:Choristers of Westminster Abbey: Sir William McKie, conductor; Lady Jeans, virginal.
NOTES:Program notes in German, English and French. Text for mass in Latin and details concerning the recording.
CONTENTS: Pavana: The Earl of Salisbury--The battell--Lord Willobies welcome home--The carmans whistle.
DOUGLASS PHONODISC DMds 11656

Masses; Lamentations; Motets.
His Master's Voice 157 EX 27 0096 3 (27 0096 1--27 0097 1), p1984.
PERFORMERS: Hilliard Ensemble; Paul Hillier, director.
CONTENTS: Mass for four voices--Mass for three voices--Mass for five voices--De Lamentatione Hieremiae--Christe qui lux es et dies/Precamur--Laetentur coeli--Ave verum corpus.
DOUGLASS PHONODISC DMds A1366

Motets.
EMI His Master's Voice CSD 3779, p1977.
PERFORMERS: The King's Singers.
CONTENTS:Gaudeamus omnes [Gradualia, book 1, no. 29]--Ne irascaris, Domine [Cantiones sacrae, book 1, no. 20]--Domine, salva nos [Cantiones sacrae, book 2, no. 31]--Haec dies [Cantiones sacrae, book 2, no. 32]--Vide, Domine [Manuscript collection]--Ave verum corpus [Gradualia, book 1, no. 5, pt. 2].
DOUGLASS PHONODISC DMds 757

Messes á 3, 4 et 5 voix = Masses for 3, 4 and 5 voices.
Harmonia Mundi France HMA 190211, [1989], p1968 [i.e. 1971].
PERFORMERS:Deller Consort; Alfred Deller, conductor.
NOTES: Program notes in French, English and German.
LANGUAGE:Sung in Latin.
DOUGLASS COMPACT DISC CX6057

Messen zu 3, 4, & 5 Stimmen; Ave verum corpus.
EMI Classics D102333, p1991.
PERFORMERS:Hilliard Ensemble; Paul Hillier, conductor.
NOTES: Program notes by Paul Hillier in English.
CONTENTS:Messe zu 4 Stimmen--Messe zu 3 Stimmen--Messe zu 5 Stimmen--Ave verum corpus.
LANGUAGE:Sung in Latin.
DOUGLASS COMPACT DISC CX15645

Motets and Mass for four voices.
ECM Records ECM 1512, p1994.
PERFORMERS: Theatre of Voices (Judith Nelson, soprano; Drew Minter, countertenor; Paul Elliot, tenor; Paul Hillier, baritone); Christopher Bowers-Broadbent, organ; Paul Hillier, director.
NOTES: Program notes by Paul Hillier and texts of vocal works with English translations of Latin words.
CONTENTS: Motets: propers for the feast of Corpus Christi. Cibavit eos: introit; Oculi omnium: gradual & alleluia; Sacerdotes Domini : offertory; Quotiescunque manducabitis: communion; Mass for four voices; Gloria tibi Trinitas; Clarifica me Pater I; O sacrum convivium; Clarifica me Pater II; Clarifica me Pater III.
DOUGLASS COMPACT DISC CX2861

Music for voices and viols.
Musical Heritage Society MHS 689S, [1966].
PERFORMERS:Russell Oberlin, countertenor; In Nomine Players; Denis Stevens, conductor.
NOTES:Program notes by Denis Stevens on container; texts of the vocal works.
CONTENTS: [For complete contents, click on record title.]
DOUGLASS PHONODISC DMds 12927

Pavans & galliards.
Harmonia Mundi France 901241.42, p1986.
PERFORMER: Davitt Moroney, harpsichord.
CONTENTS: The Nevell cycle, c.1570-1590/ compiled by William Byrd--The Second cycle, 1590-1623/ compiled by Davitt Moroney.
DOUGLASS COMPACT DISC CX948

Psalmes, sonets & songs: selection.
Editions de L'Oiseau-lyre DSLO 596, c1981.
PERFORMERS: Consort of Musicke; Anthony Rooley, director.
CONTENTS: O God give ear--O Lord how long--If women could be fair--What pleasures have great princes--In fields abroad--The match that's made--All as a sea--Susanna fair--Care for thy soul--Lullaby--Come to me grief--O that most rare breast.
DOUGLASS PHONODISC DMds 4343

Fantaisie no. 1, for strings.
Heliodor HS 25022, [1966].
PERFORMER: Carlos Surinach, conductor.
DOUGLASS PHONODISC DMds 929

Richard Anthony Zgodava.
Sound Environment TR-1002, [197-]
NOTES:Works played on piano and harpsichord.
CONTENTS INCLUDE: Pavane for the Earl of Salisbury.
DOUGLASS PHONODISC DMdl 3370

10 Motetten = 10 motets.
Philips 9502 030, p1979.
PERFORMERS: William Byrd Choir; Gavin Turner, director.
CONTENTS:Gaudeamus omnes--Beati mundo corde--Iustorum animae --Non vos relinguam--Beata es--Visita, quaesumus Domine--Salve, sancta Parens --Confirma hoc Deus--Senex puerum portabat--Tribulationes civitatum.
DOUGLASS PHONODISC DMds 2771

3 masses.
Argo 430 164-2, p1990.
PERFORMERS: Choir of Winchester Cathedral; David Hill, conductor.
NOTES: Program notes by Andrew Parker and texts.
CONTENTS: Mass for 5 voices--Mass for 3 voices--Mass for 4 voices.
DOUGLASS COMPACT DISC CX5065

William Byrd.
Gimell CDGIM 343--CDGIM 344, p1993.
PERFORMERS:Tallis Scholars; Peter Phillips, director.
NOTES:"Commemorating the 450th anniversary of his birth."
Program notes in English, French, German, and Italian, Latin texts (Masses, motets) with English translations, and English texts (Anglican music) with French, German, and Italian translations.
CONTENTS:The great service: Venite; Te Deum; Benedictus; Creed; Magnificat; Nunc dimittis--Anthems: O Lord, make thy servant Elizabeth; O God, the proud are risen; Sing joyfully unto God--Mass for 5 voices--Mass for 4 voices-- Mass for 3 voices--Motets: Ave verum corpus; Infelix ego.
DOUGLASS COMPACT DISC CX8784

See also:An anthology of Elizabethan & Restoration vocal music; Armada ; The art of the recorder; As I went to Walsingham: Elisabethan music = Musique élisabethaine; Brombaugh opus 9: five centuries of organ music.; Chanson, madrigal, choral song ; Choral music; Crystal tears.; music/Discographies/MedRen/medrencolle-i.html#Early">Early English organ music; Elisabethanische Orgelkunst; Elizabethan and Jacobean ayres, madrigals, and dances; Elizabethan and Jacobean consort music; An Elizabethan pleasure garden; The Elizabethan viols; Englische Consort-Musik des 17. Jahrhunderts. English music for consort of the 17th century; English Harpsichord Music; English keyboard music [from the Tudor age to the Restoration]; English keyboard music [from the Tudor age to the Restoration] ; English madrigals; English madrigals; English music for recorders and consort of viols in the 16th and 17th centuries; English virginal music; An Evening of Elizabethan music; Faire is the heaven: music of the English church; The festive pipes. Volume 2: [eight centuries of music for recorders]; The festive Pipes; The Fitzwilliam virginal book; selections; The Fitzwilliam virginal book; The Fitzwilliam Virginal Book; transcriptions for a mixed consort ; Five centuries of song; Flora gave me fairest flowers: English madrigals; Flora gave me fairest flowers: English madrigals; Go from my window; Heart's ease ; Historic organs of England ; Historical anthology of music in performance; A History of Western Music; In nomine: English consort music for viols; Instrumental music from the courts of Queen Elizabeth and King James; Instruments of the Middle Ages and Renaissance; Madrigal masterpieces; Mary's music: songs and dances from the time of Mary Queen of Scots; The Mass; Masters of the high Renaissance; Les Menestriers; Motets and Mass for four voices; Music at the English royal court; Music for holy week; Music for the feast of Christmas; Music for two harpsichords; Music from Shakespeare's time; Music from the time of Elizabeth I; Music of the high Renaissance in England ; Musical panorama of Shakespeare's England; Musik des Mittelalters und der Renaissance; O great mystery, unaccompanied choral music of the sixteenth & seventeenth centuries; Oxford church anthems; Parels uit vier eeuwen koormuziek; Pathways of Renaissance music: [l'Europe musicale aux XVe et XVIe siecles]; Peter Phillips directs the Tallis Scholars: music featured on the South Bank show; A portrait of the Cambridge Singers; Pre-baroque sacred music; Recorder music old and new; A Renaissance Christmas; Renaissance favorites; Renaissance masterpieces; Shakespeare songs and consort music; Sing joyfully [a recital of anthems from Tallis to Britten; Sing we & chant it!: English madrigals; Tudor anthems: [13 anthems from The Oxford book of Tudor anthems]; Virtuoso recorder music; Watkins ale: music of the English Renaissance; William Byrd and his age; The woods so wild.

Byttering, fl. 1410

See:Christmas carols & motets of medieval Europe; A distant mirror; Shakespeare's music; A musical book of hours; The Old Hall manuscript.

C

Cabezon, Antonio de, 1510-1566.

An organ recital by Clarence Watters.
Austin Organs AO-LP-102, [195-?].
NOTES: Program notes and description of organ.
CONTENTS INCLUDE: Deferencias sobre el canto del cabellero.
DOUGLASS PHONODISC DMdl 3069

Orgues espagnoles II.
Gallo 30-222, c1985.
NOTES: Program notes in French, German, English and Spanish, including organ specificiations.
CONTENTS INCLUDE: Tiento de 1o tono sobre el Salve Regina; Duos; Diferencias sobre el canto llano del Caballero.
DOUGLASS PHONODISC DMds 6337

Secular Spanish music of the sixteenth century.
Pennsylvania State University Press PSMS 102-S, c1966.
NOTES: Vocal and instrumental works from the collection Villancicos de diuersos autores (Venice: Scotto, 1556)
PERFORMERS: Ambrosian Consort; Denis Stevens, conductor; Roy Jesson, harpsichord.
NOTES: Program notes by Denis Stevens; texts with English translations.
CONTENTS: [For complete contents, click on album title.]
LANGUAGES: Vocal works sung in Spanish.
DOUGLASS PHONODISC DMds 2172

Spanish golden age music for trumpet & organ.
Nonesuch 71415, p1984.
PERFORMERS: Edward Tarr, trumpet; Irmtraud Kruger, organ.
NOTES: Program notes on container.
CONTENTS: [For complete contents, click on album title.]
DOUGLASS PHONODISC DMds 10940

Spanish keyboard music of the 16th and 17th centuries.
Experiences Anonymes EA 0026, [1957]
PERFORMERS: Paul Wolfe, harpsichord.
CONTENTS: [For complete contents, click on album title.]
DOUGLASS PHONODISC DMdl 780

Two variations.
Crystal Records S213, p1982.
PERFORMERS: Annapolis Brass Quintet.
DOUGLASS PHONODISC DMds 5906

See also:All the king's men: Henry VIII & the princes of the Renaissance; Armada; El cancionero de Medinaceli: ca. 1535-1595 ; Carlos V: Mille regretz: la cancion delemperador; Don Quijote de la Mancha: romances y músicas; Fire-water: the spirit of Renaissance Spain; A French collection; The Golden age of Spanish music; Guide des instruments de la Renaissance; Historical anthology of music in performance; Die Instrumentalvariation in der Spanischen Renaissancemusik; The marriage of England and Spain; Mass for the Feast of St. Isidore of Seville= Messe zum Fest des Hl. Isidor von Sevilla = Messe pour la fete du saint Isidore de Seville; Music from the chapel of Philip II of Spain; Music of the Renaissance, for lutes, vihuelas, and citterns; Music of the Spanish Renaissance; Musicke of sundrie kindes; The Pleasures of the royal courts; The pleasures of the royal courts; La Spagna: siglos XV-XVI-XVII.; La Spagna: siglos XV-XVI-XVII; Spanish & Portuguese harpsichord; Spanish music of the Renaissance.

Cabezon, Hernando de, 1541-1602.

Susana un jur.
Crystal Records S213, p1982.
PERFORMERS: Annapolis Brass Quintet.
DOUGLASS PHONODISC DMds 5906

See also:Armada; El cancionero de Medinaceli: ca. 1535-1595; Doulce memoire [French chansons of the XVI century] ; Spanish & Portuguese harpsichord.

Caccini, Francesca, 1587-ca. 1640

See:Caccini, Francesca in the Women Composers Discography.

Cadeac, Pierre, fl.1538-56

See:Chanson, madrigal, choral song. ; On the banks of Helicon: early music of Scotland.

Caedmon

See:O tu chara scienca: musique de la pensee medievale.

Caimo, Giuseppe, d. 1584

See:The Glory of the Italian madrigal: twenty madrigals; The King's Singers' madrigal collection.

Canali, Floriano, fl. 1575-1603

See:O dolce vita mia: Italian music from the High Renaissance.

Canova da Milano, Francesco, 1497 -1543

See:Renaissance love songs.

Capirola, Vincenzo, b. 1474

See:Alla venetiana: early 16th century Venetian lute music; In a medieval garden, instrumental and vocal music of the Middle Ages and Renaissance; 16th & 17th century folk songs & dances for lute; A treasury of early music [an anthology of masterworks of the Middle Ages, the Renaissance, and the Baroque].

Cara, Marchetto, c1465-1525

See:A History of Western Music; Music in medieval and Renaissance life; The Pleasures of the royal courts; The pleasures of the royal courts; Renaissance music from the courts of Mantua and Ferrara; A treasury of early music [an anthology of masterworks of the Middle Ages, the Renaissance, and the Baroque]; Vinci l'Harmonie du monde.

Càrcares, fl.16th c.

See:A Renaissance Christmas.

Càrceres, Bartomeu, 16th cent.

See:Catalan music from medieval and renaissance Spain; Villancicos & ensaladas.

Caron, Firminus, fl.1460-75

See:Le Chansonnier cordiforme.

Caroso, Fabritio,c1527 - 1605

See:The Art of the lute; French dances of the Renaissance and other celebrated pieces of the Renaissance and Baroque; La Musica: 16th and 17th century music; La Spagna: siglos XV-XVI-XVII;La Spagna: siglos XV-XVI-XVII.

Caroubel, Pierre-Francisque, c.1611

See:Dance music of the high renaissance; Golden dance hits of 1600; Historical dance course; Instrumental music in the troubadour tradition.

Carreira, Antonio, ca. 1525-ca. 1590

See:Masters of the royal chapel, Lisbon: including Magalhaes's "Missa O soberana luz"; Musica vocal e musica de orgao dos sec. XVI, XVII e XVIII= Vokalmusik und Orgelmusik des 16.-18. Jahrhunderts= Music for voices and organ of the 16th, 17th, and 18th centuries; Spanish & Portuguese harpsichord.

Carver, Robert, b. ca. 1490.

The complete sacred choral music: Scottish Renaissance polyphony.
Gaudeamus CD GAX 319, p1992.
PERFORMERS: Cappella Nova; Alan Tavener, conductor.
NOTES:Program notes by Kenneth Elliott and Latin texts with English translations.
CONTENTS: v. 1. O bone Jesu: motet for nineteen voices; Dum sacrum mysterium: Mass for ten voices; Gaude flore virginali: motet for five voices--v. 2. Mass for six voices; L'homme arme: Mass for four voices--v. 3. Fera pessima: Mass for five voices; Pater Creator omnium: Mass for four voices.
DOUGLASS COMPACT DISC CX2180

Robert Carver.
Collins Classics 14782, p1997.
NOTES: The Mass and motet (O bone Jesu) sung one voice to a part; the Mass is for 10 parts and the motet for 19 parts. The Magnificat (SATB), though from the same ms. source as the other works, has not been ascribed to Carver.
PERFORMERS: The Sixteen; Harry Christophers, conductor.
NOTES: Program booklet includes the Latin texts with English translations.
CONTENTS: Plainsong: Dum sacrum mysterium--Mass: Dum sacrum Mysterium--Magnificat, 7th tone faburden/ anon. from the Carver choirbook -- O bone Jesu: a 19.
DOUGLASS COMPACT DISC CX4691

6 part mass; 4 part mass "L'homme arme".
Musical Heritage Society 513838X, [1995], p1991.
PERFORMERS:Cappella Nova; Alan Tavener, director.
NOTES:Program notes by Kenneth Elliott and texts with English translations.
DOUGLASS   COMPACT DISC CX8902                  

See also:Sacred music for Mary, Queen of Scots.

Caserta, Anthonello de, fl. late 14th-early 15th c.

See:The Art of courtly love. ; The art of courtly love.; French music of the 14th century; A treasury of early music [an anthology of masterworks of the Middle Ages, the Renaissance, and the Baroque].

Caserta, Philippus de, fl. c.1370

See:Popes & antipopes.

Castro, Jean de, ca. 1540-ca. 1600

See:Pathways of Renaissance music: [l'Europe musicale aux XVe et XVIe siecles]; El Siglo de oro: Spanische Kirchenmusik der Renaissance.

Casulana, Maddalena, b. ca. 1540

Causton, Thomas b.c1520- 1569

See:Music for the feast of Christmas.

Cavaccio, Giovanni, Ca. 1556-1626

See:A Survey of the world's greatest organ music: Italy: volume 2.

Cavalieri, Emilio de', ca. 1550-1602.

Lamentations.
Alpha Alpha 011, [2001]
PERFORMERS:Le Poème Harmonique; Vincent Dumestre, director.
NOTES: Program notes in French with English tranlation and texts in Latin with French and English translation.
CONTENTS INCLUDE:Responses for Holy Saturday, for 1-5 voices with viols and lutes.
Lamentationes Hieremiae prophetae.
LANGUAGE:Sung in Latin.
DOUGLASS COMPACT DISC CX14324

See also:A treasury of early music [an anthology of masterworks of the Middle Ages, the Renaissance, and the Baroque].

Cavazzoni, Girolamo, 16th cent.

See:Maestri Padani e Fiamminghi; Musica per cimbalo ed organo: Italienische Musik fur Tasteninstrumente aus Renaissance und Barock.

Cavazzoni, Marco Antonio, ca. 1490-ca. 1560.

See:A la incoronation: musiche per l'incoronazione di Carlo V, Bologna 1530; Florentine carnival songs and other music of the Italian Renaissance; Guide des instruments de la Renaissance; Historical anthology of music in performance; Maestri Padani e Fiamminghi ; Madrigals and wedding songs for Diana.

Cavendish, Michael, 1565(ca.) -1628

See:English madrigals; Musicke of sundrie kindes;Triumphs of Oriana; Wandering in this place; [witty, amourous, and introspective ayres and lute solos of Elizabethan England].

Ceballos, Rodrigo de, ca. 1530-1581

See:Ave Maris Stella: musica de la Catedral de Sevilla dedicada a la Virgen Maria (ca. 1470-1550) ; El Siglo de oro: Spanische Kirchenmusik der Renaissance.

Cebrián, Antonio, 16th cent.

See:El cancionero de Medinaceli: ca. 1535-1595.

Certon, Pierre, d.1572

See:Choreae & carmina: Renaissance dances from the collections of Pierre Phalese Sen and Jun and their vocal concordances ; A Concert of early music; Courts and chapels of Renaissance France; Cum jubilo: masses by Pierre Certon; Doulce memoire. [French chansons of the XVI century] ; A French collection ; French madrigals and chansons; Italian madrigals ; Fricassee parisienne ; The instruments of the Middle Ages and Renaissance; Madrigals and motets; Mary's music: songs and dances from the time of Mary Queen of Scots; Mediaeval and Renaissance sounds; New London Chamber Choir; Pathways of Renaissance music: [l'Europe musicale aux XVe et XVIe siecles]; La rocque 'n' roll: popular music of renaissance France.

Cesaris, Johannes, fl. 1400-1417

See: Guillaume Dufay und seine Zeit; Guillaume Dufay und seine Zeit.

Champion, Nicolas

See:The Most beautiful madrigals= Les plus beaux madrigals = Die schonsten Madrigale.

Chardavoine, Jehan, 1538- ca.1580

See: Guide des instruments de la Renaissance; La rocque 'n' roll: popular music of renaissance France.

Chardon, de Croisilles, fl. 1220-1245

See:The way of the pilgrim: medieval songs of travel.

Charles the Bold, Duke of Burgundy, 1433-1477

See:The castle of fair welcome: courtly songs of the later fifteenth century ; The essential Hyperion.

Chrysaphes, Manuel, fl. 1440-1463

The fall of Constantinople: Byzantine chant and polyphony c.1453.
Capella Romana CR402-CD, p2006.
PERFORMERS:Cappella Romana; Alexander Lingas, artistic director.
NOTES: Program notes in English and texts with English translation.
CONTENTS INCLUDE:Dynamis--Lament for the fall of constantinople.
LANGUAGE:Sung in Greek, Latin and French.
DOUGLASS COMPACT DISC CX14376

Ciconia, Johannes, ca. 1335-1411

Homage to Johannes Ciconia.
New Albion Records NA 048 CD, p1992.
PERFORMERS: Ensemble Project Ars Nova.
NOTES:Program notes by Alejandro Enrique Planchart and texts with English translations.
CONTENTS: Amor per ti sempre: istampita--Cacando un giorno: madrigal--O Padua, sidus praeclarum: motet--Regina gloriosa: motet--Aler m'en veus: virelai--Io crido amor: ballata--O rosa bella: ballata--Poy che morir: ballata--Ben che da vui donna: ballata--Le ray au soleyl: canon--Le ray au soleyl--Le ray au soleyl: canon-- ray au soleyl--Le ray au soleyl: canon-- Petrum Marcello venetum/O Petre antistes inclite: motet--Chi nel servir antico : ballata--Per quella strada: madrigal--Una panthera: madrigal--Gli atti col dancar: ballata--Sus une fontayne: virelai--O Petre, Christi discipule: madrigal contrafactum-Doctorum principem/Melodia suavissima/Vir mitis: motet--O virum omnimoda/O lux et decus/O beate Nicholae: motet.
LANGUAGES:Sung in French, Italian, and Latin.
DOUGLASS COMPACT DISC CX2172

Motets, virelais, ballate, madrigals.
Opus 111 OPS 30-101, p1994.
LANGUAGE:Sung in middle French, Italian, or Latin.
PERFORMERS:Alla Francesca (Catherine Joussellin, voice, fiddle; Brigitte Lesne, voice, harp; Emmanuel Bonnardot, voice, fiddle; Pierre Hamon, recorders, bagpipes; Raphael Boulay, voice); Alta (Mechele Vandenbroucque, shawm; Pierre Boragno, bombard, bagpipes, flutes; Gilles Rapin, slide trumpet)
NOTES: Program notes in English with German and French translations, and texts with English, French, and German translations.
CONTENTS:Merce o morte: ballata--Una panthera: madrigal-- Gli atti col dancar: ballata--O Padua, sidus preclarum: motet--Ben che da vui: ballata--Sus une fontayne: virelai--Cacando un giorno: madrigal--Quod jactatur: canon--Poy che morir: ballata--Venecie, mundi splendor: motet--O rosa bella: ballata-- Chi vole amar: ballata--O felix templum jubila: motet--Chi nel servir antico: ballata--Deduto sey: ballata--Aler m'en veus: virelai--O virum omnimoda: motet--Gloria--Regina gloriosa: motet.
DOUGLASS COMPACT DISC CX11280

See also:Chanson, madrigal, choral song ; Christmas carols & motets of medieval Europe ; Ciconia, Dufay, Wolkenstein ; Flemish composers in renaissance Italy; French music of the 14th century; Geistliche Musik um 1400; Historical anthology of music in performance ; History of European music; Popes & antipopes; Religious music around 1400; Vox Neerlandica. I.

Cimello, Giovannithomaso, c1510 - after 1579

See:Napolitane: villanelle, arie, moresche; Renaissance faire.

Clemens non Papa, Jacobus, ca. 1510-ca. 1555.

Missa Pastores quidnam vidistis.
Gimell CDGIM 013, p1987.
NOTES:Mass and 4 motets, for 4-8 voices; sung in Latin.
PERFORMERS: Tallis Scholars; Peter Phillips, director.
CONTENTS:Pastores quidnam vidistis: motet--Missa Pastores quidnam vidistis--Three motets. Tribulationes civitatum; Pater peccavi; Ego flos campi.
DOUGLASS COMPACT DISC CX1252

O Maria, vernans rosa.
Erato ECD 88087, p1985.
PERFORMERS: Monteverdi Choir; English Baroque Soloists; John Eliot Gardiner, conductor.
NOTES: Program notes in French by Roger Tellart with English and German translations.
DOUGLASS COMPACT DISC CX64

See also:The birth of Christ ; Chanson, madrigal, choral song ; Choreae & carmina: Renaissance dances from the collections of Pierre Phalese Sen and Jun and their vocal concordances ; Early music of the Netherlands: 1400-1800; French chansons ; French chansons and dances of the 16th century; Historical anthology of music in performance; Missa Cum iucunditate; The Most beautiful madrigals= Les plus beaux madrigals = Die schonsten Madrigale; Motetten. Motets; Parels uit vier eeuwen koormuziek; Pathways of Renaissance music: [l'Europe musicale aux XVe et XVIe siecles]; Peter Phillips directs the Tallis Scholars: music featured on the South Bank show; A Renaissance Christmas; Renaissance masterpieces; 16th century Italian & French dance music; Staatsmusik der Renaissance; Vox Neerlandica I.

Clereau, Pierre, fl.1539-67

See:Fricassee parisienne.

Codax, Martin, fl. ca. 1230.

Canciones de amigo.
Harmonia Mundi France HM 1060, 1981.
PERFORMERS: Mary Criswick, mezzo-soprano; with the Ensemble de Musique Ancienne "Euterpe" de Paris.
CONTENTS:Cantigas de amigo: Ondas do mar de vigo; Mandad'ey comigo; Mia irmana fremosa; Ay Deus, se sab' ora meu amigo; Quantas sabedes amar amigo; Eno sagrado, en Vigo; Ay ondasque en vin veer--Cantigas de Santa Maria: Des quando Deus sa Madre; Des oge mais quer'eu trobar; A virgen mui gloriosa; Tod aqueste mund'a loar deveria; Tan beeyta foi a saudaçon; Pois que dos reys nostro Sennor.
DOUGLASS PHONODISC DMds 4083

Bella domna: the medieval woman: lover, poet,patroness and saint; A chantar: Lieder der Frauen-Minne im Mittelalter = songs of women, courtly love in the Middle Ages ; The essential Hyperion; Lo gai saber: troubadours et jongleurs 1100-1300 = troubadours and minstrels = Troubadoure und Spielmänner; Iberian garden: [Jewish, Christian and Muslim music in medieval Spain]; Medieval courtly monody 12th & 13th centuries) [and] Arabian- Andalusian music 3th century); The pilgrimage to Santiago.

Coelho, Manuel Rodrigues, ca. 1555-ca. 1635

See:Masters of the royal chapel, Lisbon: including Magalhaes's "Missa O soberana luz"; Musica vocal e musica de orgao dos sec. XVI, XVII e XVIII= Vokalmusik und Orgelmusik des 16.-18. Jahrhunderts= Music for voices and organ of the 16th, 17th, and 18th centuries; Spanish & Portuguese harpsichord.

Colin Muset, fl. c. 1200-50

See:Instruments of the Middle Ages and Renaissance; Instrumental music in the troubadour tradition;The marriage of heaven and hell: motets and songs from 13th-century France; Medieval Paris; music of the city; Music in medieval and Renaissance life; The Pleasures of the royal courts; The pleasures of the royal courts; The world of Adam de la Halle.

Collarde, Edward, d. ca. 1599

See:As I went to Walsingham: Elisabethan music = Musique élisabethaine.

Compere, Loyset, d. 1518.

Loyset Compere.
Metronome MET 1002 CD 01, p1993.
PERFORMERS: Orlando Consort (Robert Harre Jones, countertenor; Charles Daniel, Angus Smith, tenors; Donald Grieg, baritone.)
NOTES:Program notes by David Fallows.
CONTENTS: Omnium bonorum plena--Se j'ay parle--Seray je vostre mieulx.
DOUGLASS COMPACT DISC CX2179

See also:The art of polyphony; The art of the Netherlands (1450-1520) ; Court and ceremonial music of the 16th century; Flemish composers in renaissance Italy ;Food, wine & song: music and feasting in Renaissance Europe ; From Guillaume Dufay to Josquin des Pres: love songs of the 15th century; Historical anthology of music in performance; Masterpieces of the early French & Italian Renaissance; Musicke of sundrie kindes; Musique a la cour de Marguerite d'Autriche.[Basses danses et chansons, 1450-1550]; Passion; Pathways of Renaissance music: [l'Europe musicale aux XVe et XVIe siecles]; Petrucci, first printer of music; Renaissance love songs; Staatsmusik der Renaissance.

Conon, De Béthune, Ca. 1160-1219 Or 20

See:Music of the Crusades; Music of the Crusades.

Contessa, fl. 1587-1600

See:Musica de la Puebla de Los Angeles.

Cooke, John, d. 1419

See:A distant mirror; Shakespeare's music; Dunstable und seine Zeit; Music of the later middle ages for court and church; The Old Hall manuscript; The spirits of England and France. I: Music of the later middle ages for court and church.

Coperario, John, 1570-(ca.)1626

See:Elizabethan and Jacobean ayres, madrigals, and dances; An Elizabethan pleasure garden; The golden dream;Instrumental music from the courts of Queen Elizabeth and King James; Madrigals and wedding songs for Diana; Masque music, instrumental and vocal music from the Stuart masque; A musicall dreame: music by Robert Jones, Tobias Hume, and Giles Farnaby.

Coppini, Alessandro, ca. 1465-1527

A Florentine carnival: festival music for Lorenzo de Medici.
Innovative Music Production PCD 825, p1986.
PERFORMERS:London Pro Musica; Bernard Thomas, conductor.
NOTES: Program notes in booklet.
CONTENTS INCLUDE: Lanzi maine.
DOUGLASS COMPACT DISC CX11292

Cordier, Baude, 15th c.

See:Codex Chantilly: airs de cour du XIVe siecle ; Historical anthology of music in performance ; History of European music.

Cornago, Juan, 15th cent.

Five centuries of Spanish song.
Capitol G-7155, [1959].
PERFORMERS: Victoria de los Angeles, soprano; with instrumental ensemble. Sung in Spanish.
NOTES: Program notes by Jose Maria Lamana.
CONTENTS INCLUDE: Que es mi vida preguntais.
DOUGLASS PHONODISC DMdl 762

Missa de la mapa mundi: Secular music of 15th-century Spain.
Harmonia Mundi France HMU 907083, p1992.
PERFORMERS: His Majestie's Clerkes, Paul Hillier, conductor; Newberry Consort, Mary Springfels, conductor
DOUGLASS COMPACT DISC CX2176

See also:Spanish song of the Renaissance.

Cornysh, William, d. 1523

See: All the king's men: Henry VIII & the princes of the Renaissance; An Elizabethan pleasure garden; English, French and Italian madrigals and songs; Eton choirbook, record 2; Historical anthology of music in performance;A History of Western Music.;In nomine: English consort music for viols; Music at the court of Henry VIII and Elizabeth I; My fayre ladye: Tudor songs and chant; The passion of reason: the Sour Cream legacy; Peter Phillips directs the Tallis Scholars: music featured on the South Bank show; Songs for a Tudor king; Songs from the Fayrfax Manuscript.

Corteccia, Francesco, 1502-1571

See:Staatsmusik der Renaissance.

Coste, Gaspard, fl.1538-43

See:Renaissance vocal music.

Costeley, Guillaume, 1530?-1606

See:Christmas in the Great Cathedral of Reims; Doulce memoire [French chansons of the XVI century] ; Five centuries of song.; La Fleur des musiciens de Pierre de Ronsard; French chansons; French madrigals and chansons; Italian madrigals ; French Renaissance vocal music; Fricassee parisienne ; Guide des instruments de la Renaissance ;Golden dance hits of 1600; Historical anthology of music in performance; Madrigal masterpieces; Music from the Kinsky; Musicke of sundrie kindes; Pathways of Renaissance music: [l'Europe musicale aux XVe et XVIe siecles]; Les Precurseurs; Renaissance; Songs of birds, battles, and love, and the flowering of the French chanson.

Cosyn, Benjamin, ca. 1580 - 1653

See:Music at the English royal court.

Cotes, Ambrosio, ca. 1550-1603

See:Mortuus est Philippus Rex: music for the life and death of the Spanish king.

Courtois, Jean, fl.1530-45

See:Staatsmusik der Renaissance.

Cowper, Robert, ca. 1474-ca. 1540

See:Historical anthology of music in performance; Motets for Christmas and Easter.

Cracoviensis, Nicolaus, fl.1st half 16th cent.

See:Chorearum collectanea: late Renaissance dances in Hungary.

See also:Mikolaj of Radom

Crecquillon, Thomas, c.1505-15-1557?

See:Chansons et danceries: French Renaissance wind music = Franzosische Blasermusik der Renaissance = Musique francaise de la Renaissance pour instruments a vent; French chansons and dances of the 16th century; Fricassee parisienne; Music from the chapel of Charles V; A Renaissance tour of Europe.

Crespel, Jean, fl.16th cent.

See:Fricassee parisienne; Pathways of Renaissance music: [l'Europe musicale aux XVe et XVIe siecles].

Croce, Giovanni, ca. 1557-1609

See:The birth of Christ.

Cutting, Francis, fl.1571-96

See: The Golden age of English lute music ; English lute music.; An Evening of Elizabethan music; Masque music, instrumental and vocal music from the Stuart masque; Mediaeval and Renaissance sounds; Les Menestriers; Musik für Laute [Music for lute]; Robin is to the greenwood gone: Elizabethan lute music; The Golden age of English lute music; Shakespeare songs and consort music; The woods so wild.

Cuvelier, Jo, fl. 1372-1387

See:Codex Chantilly: airs de cour du XIVe siecle.

D

Dall'Aquila, Marco, b. ca. 1488

See:Dolcissima et amorosa: early Italian Renaissance lute music; Pathways of Renaissance music: [l'Europe musicale aux XVe et XVIe siecles]; Les tres riches heures du moyen age: a medieval journey.

Dalza, Joan Ambrosio, fl. 1508.

See:Alla venetiana: early 16th century Venetian lute music; A Concert of early music; Crai crai crai: music at the Spanish court of Naples; Golden dance hits of 1600. ; Guide des instruments de la Renaissance ; Historical anthology of music in performance; The instruments of the Middle Ages and Renaissance ; Musicke of sundrie kindes; Petrucci, first printer of music; Renaissance duets; Renaissance faire; Renaissance music for two lutes; 16th century Italian & French dance music; La Spagna: siglos XV-XVI-XVII; La Spagna: siglos XV-XVI-XVII; Tanzmusik der Renaissance = Dance music of the Renaissance;Vinci l'Harmonie du monde.

Damett, Thomas

See:Dunstable und seine Zeit ; Historical anthology of music in performance; History of European music; Music in medieval and Renaissance life; The Old Hall manuscript.

Danyel, John, 1564-ca.1626

See:English ayres and duets sung in authentic Elizabethan pronunciation; English lute duets; Faire, sweet, cruell: [Elizabethan songs]; Historical anthology of music in performance; and Renaissance music for two lutes.

Daser, Ludwig, ca. 1525-1589

See:Sixteenth century Bavarian court chapel music.

Davy, Richard, ca. 1465-ca. 1507

Music from the Magdalen.
Collins Classics 15112, p1997.
NOTES: Text in Latin with English translation.
PERFORMERS: The Magdalen Collection; Harry Christophers, conductor.
CONTENTS INCLUDE: Joan is sick and ill at ease; Magnificat antiphon: In diebus illis--Ah, mine heart, remember thee well.
DOUGLASS COMPACT DISC CX4443

See also:Songs from the Fayrfax Manuscript.

Daza, Esteban, 16th cent.

Vihuelistas espanoles (s. XVI).
Hispavox HHS 23, p1974.
PERFORMERS: Jorge Fresno, vihuela.
NOTES: Program notes by J. Fresno and J. J. Rey; English and French translations of the program notes.
CONTENTS: [For complete contents, click on album title.]
DOUGLASS PHONODISC DMds 2376

See also:Armada; Guitar music and songs of the Spanish renaissance ;Spanish song of the Renaissance.

de Bois, Francois, 16th cent.

See:Doulce memoire [French chansons of the XVI century].

De Brouck, Jacob, 1540/50-c.1590/h2>

See:Early music of the Netherlands: 1400-1800.

Delafont, fl.1545-1549

See:Fricassee parisienne.

Demonte,Philippus, 1521-1603

See:Old Netherlands masters.

Dentice, Fabrizio, 16th cent.

Lamentations.
Alpha Alpha 011, [2001]
PERFORMERS:Le Poème Harmonique; Vincent Dumestre, director.
NOTES: Program notes in French with English tranlation and texts in Latin with French and English translation.
CONTENTS INCLUDE:Miserere mei Deus.
LANGUAGE:Sung in Latin.
DOUGLASS COMPACT DISC CX14324

See also:Italia mia; Napolitane: villanelle, arie, moresche.

Dentice, Luigi, b.c.1510/1520 - 1566

See:Napolitane: villanelle, arie, moresche.

Dia, Comtessa de, 12th/13th cent.

Diomedes Cato, Fl. 1570-1615

See:Renaissance music from the courts of Mantua and Ferrara.

Divitis, Antonius, b. ca. 1475

See:Les tres riches heures du moyen age: a medieval journey.

Dlugoraj, Albert Wojciech, 1557 or 8-ca.1619

See:Musik für Laute. [Music for lute.]

Donato, Baldassare, d. 1603

See:I dolce frutti: music in Venice before Monteverdi and Simple gifts.

Donato, da Cascia, 14th cent.

See:Florentine music and The Most beautiful madrigals= Les plus beaux madrigals = Die schonsten Madrigale.

Donato de Florentia

See:Calliope festival: an Italian Renaissance revel; Musica in Bohemia in tempore Caroli IV; and O tu chara scienca: musique de la pensee medievale.

Dowland, John, 1563?-1626

Awake, sweet love: airs and partsongs of John Dowland.
Bach Guild BGS 70673, p1966.
PERFORMERS: Deller Consort; Alfred Deller, countertenor; Desmond Dupre, lute.
NOTES: Program notes and texts of the vocal pieces.
CONTENTS: Wilt thou, unkind, thus reave me?--Awake sweet love--In darkness let me dwell--Me, me, and none but me--Go nightly cares--If my complaints could passions move--Sleep wayward thoughts--Flow not so fast, ye fountains--Come again! Sweet love doth doth now invite--Sorrow stay -- Queen Elizabeth's galliard (lute solo)--If that a sinner's sighs--Fine knacks for ladies--Flow, my tears--Can she excuse my wrongs.
DOUGLASS PHONODISC DMds 10198

Ayres for four voices.
Westminster XWN 18711; 18761-18763. [195-]
PERFORMERS: Golden Age Singers; Margaret Field-Hyde, director; Julian Bream, lute.
NOTES: Notes and texts of songs.
DOUGLASS PHONODISC DMdl A700 v.2- v.4

Ayres for four voices.
Argo ZRG 5290, 1962.
NOTES:Edition recorded: Musica Britannica, 6 (London, 1953) from which the numbering of the songs is taken. Contains no.19, 29, 58, 39, 21, 54, 17, 7, 55, 15, 24, 13, 61, 38, 20, and 53 respectively; and no. 58, 54, 55, 6l, and 53, from A pilgrimes solace.
Program notes by Thurston Dart.
PERFORMERS: Golden Age Singers; Margaret Field-Hyde, director.
DOUGLASS PHONODISC DMds 6247

Castles of Spain.
Decca DL 710171, [1970]
PERFORMER: Andres Segovia, guitar.
NOTES: Program notes by Shirley Fleming.
CONTENTS: Song and Galliard; Melancholy galliard; Allemande: My Lady Hunssdon's puffe.
DOUGLASS PHONODISC DMds 8350

Come again, sweet love doth now invite.
Columbia M 35127, p1978.
PERFORMERS: Frederica von Stade, soprano; Martin Katz, piano.
NOTES:Program notes by R. Jacobson.
DOUGLASS PHONODISC DMds 1424

Dances of Dowland.
Musical Heritage Society MHS 512422A, c1989.
PERFORMERS:Julian Bream, lute.
CONTENTS:The Earl of Essex galliard--Lachrimae antiquae--My Lady Hunsdon's puffe--Lord d'Lisle's galliard--The frog galliard--Lachrimae verae--The shoemaker's wife (A toy)--Lady Rich, her galliard--Unnamed piece (Almaine)--Sir John Smith's almaine--Melancholie galliard.--Sir Henry Gifford's almaine--Dowland's first galliard--Mrs. Vaux's gigge--TheEarl of Derby, his galliard--Semper Dowland, semper dolens.
DOUGLASS COMPACT DISC CX9198

The dark is my delight and other 16th century lute songs.
RCA Victor Red Seal 09026-68818-2, p1997.
PERFORMERS:Brian Asawa, countertenor; David Tayler, lute.
NOTES: Program notes by Lucy E. Cross and David Tayler, biographical notes on the performers, and texts.
CONTENTS: Come again, sweet love doth now invite; His golden locks time hath to silver turn'd; Flow my tears; It was a time when silly bees could speak; Sorrow, stay!; Can she excuse my wrongs; A shepherd in a shade his plaining made; Time stands still; Go, crystal tears; I saw my lady weep; Away with these self-loving lads.
DOUGLASS COMPACT DISC CX14935

Debut 1961.
Elan Records LP 101, [1961?]
PERFORMERS: Krainis Baroque Trio (Bernard Krainis, recorder; Barbara Mueser, viola da gamba; Robert Conant, harpsichord)
NOTES: Program notes by Bernard Krainis.
CONTENTS INCLUDE: Lachrimae antiquae; Earl of Essex galiard.
DOUGLASS PHONODISC DMdl 3355

Elizabeth Benson-Guy, soprano, John Newmark, piano.
Radio Canada International 205-S, [197-].
PERFORMERS:Elizabeth Benson-Guy, soprano; John Newmark, piano.
NOTES:Program notes in English and French on container.
CONTENTS INCLUDE: In darkness let me dwell.
DOUGLASS PHONODISC DMds 5864

English folksongs & lute songs.
Harmonia Mundi France HMC 901603, p1996.
PERFORMERS: Andreas Scholl, counter-tenor; Andreas Martin, lute.
NOTES: Program notes in English with German and French translations and English texts with German and French translations.
CONTENTS: [For complete contents, click on record title.]
DOUGLASS COMPACT DISC CX3820

Fantasies and dances for the lute.
1750 Arch Records S 1764. p1977.
PERFORMERS: Joseph Bacon, lute.
NOTES:Durations and program notes.
CONTENTS: An almand (96 [in the Faber ed.])--A fancy(6)--A galliard (on a galliard by Daniel Bacheler)(28)--Mrs. Vaux's jig (57)--A (71)--A fancy(7)--Mignarda(34)--A fantasie(1a)--Captain Digorie Piper's galliard(19)--Lady Clifton's spirit(45)--Farewell(an Innomine) (4).
DOUGLASS PHONODISC DMds 3581

Fantasie. Melancholy galliard. My lady Hunsdon's puffe.
Odyssey 32 16 0398, [1970]
PERFORMERS: John Williams, guitar.
NOTES:Program notes by Stephen Dodgson.
DOUGLASS PHONODISC DMds 3461

The first book of ayres.
Dover Publications HCR 5220, 1964.
PERFORMERS: Pro Musica Antiqua of Brussels; Safford Cape, director.
NOTES: Program notes and texts by Safford Cape.
CONTENTS: Come away, come sweet love--Come, heavy sleep--Sleep, wayward thoughts--If my complaints--Would my conceit--Awake, sweet love--All ye whom Love or Fortune--Now o now--Can she excuse--Come again--Wilt thou unkind--My thoughts are winged--Dear, if you change--Rest awhile--Think'st thou then--Unquiet thoughts--His golden locks--Whoever thinks--Burst forth, my tears--Lord chamberlain, His galliard--Go,crystal tears--Away with these self-loving lads.
DOUGLASS PHONODISC DMds 320 (IN STORAGE)


First booke of songs, 1597.
Editions de l'Oiseau-Lyre DSLO 508-509, p1976.
PERFORMERS: Consort of Musicke; Anthony Rooley, director; sung in English.
NOTES:Texts on container; program notes by the director with French and German translations.
DOUGLASS PHONODISC DMds A862

Flow my teares: the songs of John Dowland.
Metronome MET CD 1010, p1995.
PERFORMERS: Paul Agnew, tenor; Christopher Wilson, lute.
NOTES: Includes booklet with notes on, and texts of, the songs.
CONTENTS: The first booke of songs (1597): Awake, sweet love thou art returned; Goe crystall teares; If my complaints could passions move ; Come agin: sweet love doth now invite; Can she excuse my wrongs with vertues cloak? ; Deare, if you change, ile never chuse again; All je whom love or fortune hath betraid; Sleep wayaward thoughts--The second booke of songs (1600): Flow my teares fall from your springs; If fluds of teares could cleanse my follies past; Fine knacks for ladies, cheape, choise, brave and new; I saw my lady weepe; First part: Tymes eldest sonne, old age the heire of ease--Second part: Then sit thee downe, & say the Nunc demittis--Third part: When others sings Venite exultemus; Come ye heavie states of night; Shall I sue, shall I seeke for grace; Sorrow sorrow stay, lend true repentant teares.
DOUGLASS COMPACT DISC CX3505

Gitarrenmusik aus funf Jahrhunderten= Guitar music of five centuries.
Deutsche Grammophon 2531 382, p1982.
PERFORMER: Narciso Yepes, guitar.
NOTES: Program notes by Alexander Schmitz, in German, with English translation by John Coombs, and French translation by Jacques Fournier.
CONTENTS INCLUDE: The King of Denmark, his galliard.
DOUGLASS PHONODISC DMds 4724

Greensleeves to a ground.
EMI Records CSD 3781, p1977.
PERFORMERS: David Munrow, recorder; Early Music Consort of London; George Malcolm, harpsichord and piano.
NOTES: Program notes by Virginia Leishman on slipcase.
CONTENTS INCLUDE: Greensleeves to a ground -- Five dances from Lachrymae.
DOUGLASS PHONODISC DMds 4095

Homage to Shakespeare.
Argo NF4, [1964].
MUSICAL PERFORMERS: Jaye COnsort of Viols, Francis Baines, conductor; the Kneller Hall Trumpeters, Leiut.-Colonel Basil H. Brown, director of music.
NOTES: Descriptive notes by Harley Usill and Richard Buckle and texts of the readings and vocal music laid in.
CONTENTS: Tributes to Shakespeare in poetry, prose, and music, by J. Dowland and O. Gibbons.
Songs and pieces include: Pavane.
DOUGLASS PHONODISC DLdl 614

In darknesse let me dwell.
Metronome MET CD 1011, p1996.
PERFORMERS: Paul Agnew, tenor; Christopher Wilson, lute.
NOTES: Includes booklet with texts of the songs; and insert with biographical notes on the performers.
CONTENTS: A musicall banquet. Lady if you so spight me; In darkesse let me dwell--The third and last booke of songs. Lend your eares to my sorrow good people; What if I never speede; Flow not so fast ye fountaines; When Phoebus first did Daphne love; Weepe you no more sad fountaines; Say love if ever thou didst finde; Time stands still; Behold a wonder heere; I must complaine, yet do enjoy--A pilgrimes solace. Shall I strive with wordes to move; If that a sinners sighes be angels foode; Love those beames that breede; Stay time a while thy flying; Thou mightie God/When Davids life by Saul/When the poore criple.
DOUGLASS COMPACT DISC CX4640

Julian Bream in concert.
RCA LSC 2819, [1965].
PERFORMERS: Julian Bream, lute, in part with Peter Pears, tenor.
NOTES: Program notes by John Gruen on container and by Peter Pears, the latter including the texts of the vocal works.
CONTENTS: Pipers galliard; K. Darcyes galliard; Mr. John Langton's pavan; Tarletones riserrectione; Lady Clifton's spirit; Wilt thou unkind; Sorrow sorrow stay, lend true repentant teares; Lowest trees have tops; Times eldest sonne; In darkness let me dwell; Say love if ever thou didst find.
DOUGLASS PHONODISC DMds 1297

Keyboard transcriptions by other musicians.
Editions de l'Oiseau-Lyre DSLO 552, p1978.
PERFORMER: Colin Tilney, harpsichord (Jean-Pierre Batt, after Faby, Bologna,1677)
NOTES:Program notes by Anthony Rooley in English, French, and German.
CONTENTS:: Lachrimae pavan (arr. G. Farnaby)--Can shee (arr. anon.,Fitzwilliam virginal book)--Paduana (la mia Barbara) (arr. P. Siefert)--The grogge (arr. J. Wilbye)--Frog's galliard (arr.anon., Cromwell virginal book)--Pavana and galiarda (arr. T. Morley)--Paduana lachrymae (arr. M. Schildt)--Can she excuse (arr. anon., Tisdale virginal book)--Pavion solus cum sola (arr. anon., Drexel ms.)--Dowland's almayne (arr. anon., Bodleian ms.)--Piper's paven and galliard (arr M. Peerson and J. Bull)--Pavana lachrymae (arr. W. Byrd).
DOUGLASS PHONODISC DMds 3836

King of Denmark his galliard.
Deutsche Grammophon 2531 382, p1982.
PERFORMER: Narciso Yepes, guitar.
NOTES:Program notes by Alexander Schmitz, in German, with Englishtranslation by John Coombs, and French translation by Jacques Fournier.
DOUGLASS PHONODISC DMds 4724

Lachrimae.
Editions de l'Oiseau-lyre OLS 164, p1958.
PERFORMERS: Philomusica of London; Thurston Dart, harpsichord and conductor.
NOTES: Program notes on container.
CONTENTS: Lachrimae antiquae pavan--Sir John Souch his Galiard--Lachrimae antiquae novae pavan--The King of Denmark's galiard--Lachrimae gementes pavan--The Earl of Essex galiard--Lachrimae tristes pavan--M. Thomas Collier his galiard--Lachrimae coactae pavan--M. Nicholas Gryffith his galiard--Mrs Nichols Almand--Lachrimae amantis pavan--M. Henry Noel his galiard--Lachrimae verae Pavan--Captaine Digorie Piper his galiard--Semper Dowland semper dolens--M. Giles Hobies galiard--Sir Henry Umpton's funerall--M. Bucton's galiard--M. John Langton's pavan--M. George Whitehead his almand.
DOUGLASS PHONODISC DMds 7823

Lachrimae = or Seaven teares.
Musical Heritage Society 513779Y, c1994.
PERFORMERS: Rose Consort of Viols; Caroline Trevor, alto; Jacob Heringman,lutes.
NOTES: Program notes.
CONTENTS: Flow my teares--Lachrimae antiquae = Ancient tears--Come, heavy sleep--Lachrimae antiquae novae = New ancient tears--Sorrow stay--Lachrimae gementes = Groaning tears--In darkness let me dwell--Lachrimae tristes = Sad tears--From silent night--Lachrimae coactae = Forced tears--Go cristall teares--Lachrimae amantis = Lovers' tears--I saw my lady weep--Lachrimae verae = True tears.
DOUGLASS COMPACT DISC CX8580

Lachrimae; or, Seaven teares [and] fourteen other dances.
RCA Victrola VICS 1338, [1968].
PERFORMERS: Eugene Muller-Dombois, lute; viola da gamba quintet of the Schola Cantorum Basiliensis.
NOTES: Program notes by D. Poulton.
CONTENTS: The fourteen other dances: M. John Langton's pavan; Sir John Souch his galliard; M. Nicholas Gryffith his galliard; M. Giles Hoby's galliard; M. George Whitehead his allemande; Sir Henry Umpton's funeral; M. Henry Noel his galliard; Captaine Digorie Piper his galliard; M. Buctons' galliard; Semper Dowland semper dolens; The King of Denmark's galliard; The Earl of Essex galliard; M. Thomas Collier his galliard; Mrs. Nichols' allemande.
DOUGLASS PHONODISC DMds 9101

Lachrimae, 1604.
Editions de l'Oiseau-Lyre DSLO 517. p1976.
PERFORMERS: Consort of Musicke; Anthony Rooley, director.
NOTES:Program notes by Rooley with French and German translations.
CONTENTS: Lachrimae Antiquae; Lachrimae Antiquae Novae; Lachrimae Gementes; Lachrimae Tristes; Lachrimae Coactae; Lachrimae Amantis; Lachrimae Verae; M. John Langton's Pavan; M. Nicholas Gryffith his Galiard; Sir John Souch his Galiard; Semper Dowland Semper Dolens; M. Giles Hobies Galiard; The King of Denmark's Galiard; Sir Henry Umpton's Funerall; M. Henry Noel his Galiard; The Earl of Essex Galiard; M. Buctons Galiard; M. George Whitehead his Almand; Captaine Digorie Piper his Galiard; M. Thomas Collier his Galiard; Mrs. Nicholas Almand.
DOUGLASS PHONODISC DMds 3510

Lute songs and dances.
Orion ORS 72102, [1972].
PERFORMERS: Hayden Blanchard, tenor; Frederick Noad, lute; Ruth Adams, viola da gamba. Durations and program notes.
CONTENTS: Wilt thou, unkind, thus reave me--Go crystal tears--The round battle galliard--Awake, sweet love--Tarleton's resurrection(lute)--Come again, sweet love doth now invite--Air (lute)-- Think'st thou then by thy feigning--Come away, come sweet love--Lady Hammond's alemaine (lute)--Rest awhile you cruel cares--Go from my window (lute)--Come, heavy sleep--The shoemaker's wife (lute)--Can she excuse my wrongs.
DOUGLASS PHONODISC DMds 3466

Lute songs, lute solos.
Harmonia Mundi France HMC 90244, [1986?], p1978.
NOTES: Sung in English (principally) and Italian.
PERFORMERS: Alfred Deller, countertenor; Robert Spencer, lute or bandurria; Consort of Six (flute, viols, lute, cithern, and bandurria).
NOTES:Program notes in English by Robert Spencer with French and German translations and texts.
CONTENTS:: Flow, my tears--Galliard--The Lady Laiton's almain--Fortune my foe--The frog galliard--Weep you no more, sad fountains-- Me, me, and none but me--What if I never speed?--Lasso, vita mia--The shoemaker's wife: toy--Can she excuse: galliard--Mistress White's thing--The round battle galliard--Wilt thou, unkind, thus reave me of my heart?--Come away, come sweet love--Sorrow, stay--If that a sinner's sighs--Midnight-- Say, love, if ever you didst find?--Lachrimae pavan--Can she excuse: galliard--If my complaints could passions move--Katherine Darcy's galliard.
DOUGLASS COMPACT DISC CX1598

Lute songs, lute solos. Vol. 2.
Harmonia Mundi France HMC 90245, p1989.
PERFORMERS: Alfred Deller, countertenor; Robert Spencer, lute; Consort of Six (flutes, viols, lute, cithern, and bandurria).
CONTENTS:: Come again, sweet love--I saw my lady weep-- Orlando sleepeth--Tarlton's resurrection--Sir John Smith's almain--Mistress White's nothing--My Lord Chamberlain's galliard--From silent night--Flow not so fast, ye fountains--My Lord Willoughby's welcome home--Mistress Winter's jump--Melancholy galliard--My Lady Hunsdon's puff--Shall I sue?--In darkness let me dwell--The first galliard--Can she excuse my wrongs?--Come, heavy sleep--Captain Digory Piper's pavan and galliard--Go,nightly cares.
DOUGLASS COMPACT DISC CX1203

Metaphysical tobacco; songs and dances by Dowland, East, and Holborne.
Argo ZRG 572, [1969].
PERFORMERS: Musica Reservata; Michael Morrow, conductor. Purcell Consort of Voices; Grayston Burgess, conductor.
NOTES: Program notes by Diana Poulton; texts of the vocal music.
CONTENTS INCLUDE: Pauan; What if I never speed; In this trembling shadow; Lasso vita mia; M. Thomas Collier his Galiard, Away with these self-loving lads; Pipers Galliard, Welcome black night.
DOUGLASS PHONODISC DMds 3431

Mr. Henry Noell lamentations, Psalmes & sacred songs.
Editions de l'Oiseau-Lyre DSLO 551, p1979.
PERFORMERS: Consort of Musicke; Anthony Rooley, director.
NOTES: Program notes by Rooley with French and German translations and texts.
CONTENTS:: Songs or ayres, 2nd book. Sorrow sorrow stay, lend true repentant teares--I shame at mine unworthiness--Heart that's broken and contrite--Psalms.
DOUGLASS PHONODISC DMds 3837

The music of John Dowland.
Hyperion A66010, p1981.
PERFORMERS: Extempore String Ensemble; George Weigand, director.
NOTES:Program notes by Diana Poulton and George Weigand.
CONTENTS: Sir Henry Guilford, his almaine--Lachrimae--Lord Souch, his galliard--The shoemaker's wife- Suzannna--Captain Digorie Piper, his pavan and galliard--Sir George Whitehead, his almaine--Lady Hunsdon's almaine--Sir Henry Umpton's funerall--Sir Thomas Collier, his galliard--Mistress Winter's jump--Fortune my foe--Sir John Smith, his almaine.
DOUGLASS PHONODISC DMds 4115

The mystic and the muse: celebrating 600 years of women in music.
Dorian Recordings: NPR Classics DOR-90247, p1997.
PERFORMERS:Ensemble Galilei: Marcia Diehl, recorders; Nancy Karpeles, percussion; Sue Richards, celtic harp; Erin Shrader, guitar & fiddle; Carolyn Anderson Surrick, viols; Sarah Weiner, oboe.
NOTES: Program notes by Carolyn Anderson Surrick, Erin Shrader, and Benjamin K. Roe, and biographical notes on performers.
CONTENTS INCLUDE: Mrs. Whittes nothing; Queen Elizabeth, her galliard.
DOUGLASS COMPACT DISC CX12074

A pilgrimes solace 1612.
Editions de l'Oiseau-lyre DSLO 585--DSLO 586, c1980.
PERFORMERS: The Consort of Musicke; Anthony Rooley, director.
NOTES: Song texts and program notes in English, French, and German.
DOUGLASS PHONODISC DMds A1174

Songs & ayres.
Nonesuch H 71167, [1965].
PERFORMERS: Vocal and instrumental ensemble; Raymond Leppard, director.
NOTES:Program notes by Eric van Tassel; texts, and sources on container.
CONTENTS: Were every thought an eye--An heart that's broken and contrite--Shall I sue?--Go, crystal tear--Love, those beams.--Say, love--Welcome, black night--Sorrow stay!--Where sin, sore wounding--If that a sinner's sighs--Lady, if you so spite me--Weep you no more, sad fountains.--Fine knacks for ladies!--Farewell, unkind, farewell!--Psalm 51--Psalm 100--Tell me, true love--Up, merry mates.
DOUGLASS PHONODISC DMds 1256

Songs and dances of John Dowland.
Turnabout TV-S 34510. [p1973]
PERFORMERS: Hugues Cuenod, tenor; Joel Cohen, lute; Christiane Jaccottet, virginals.
NOTES:Program notes by J. I. Cohen.
CONTENTS: Come away, come sweet love--Weep you no more, sad fountains-- Almain: Say, love, if ever thou did'st find--White as lilies was her face--Galliard: Can she excuse--Orlando sleepeth--Awake sweet love--Mistress Winter's jump--Mr. Henry Noel's galliard--Stay, time, awhile thy flying--Almain: Think'st thou then by thy feigning--What if I never speed--Fine knacks for ladies--Mrs. White's thing--Come again--Fortune my foe--Sorrow, stay.--Robin is to the greenwood gone--Farewell, unkind--Now o now--The frog galliard--When Phoebus first did Daphne love.
DOUGLASS PHONODISC DMds 3506

Songs from the Second Book of Songs or Ayres.
Archive ARC 3004, 1955.
PERFORMERS: Rene Soames, Walter Gerwig, Johannes Koch.
DOUGLASS PHONODISC DMdl A129 v.4 Ser. M pt. 1

The Virtuoso guitar.
Bach Guild BGS 5043, [197-?].
PERFORMERS: Karl Scheit, guitar; Gunther Pichler, violin; Paul Angerer, viola d'amore; Wiener Solisten; Wilfried Boettcher, conductor.
NOTES: Program notes by S. W. Bennett.
CONTENTS: Two galliards from Lachrimae or Seven tears [(for guitar and string orchestra: originally for lute)]: The King of Denmark's galliard; Captain Digorie Piper's galliard.
DOUGLASS PHONODISC DMds 1441

See also:The American Brass Quintet plays Renaissance, Elizabethan, and baroque music ; An anthology of Elizabethan & Restoration vocal music; Chanson, madrigal, choral song ; Crystal tears; Early music: from the Middle Ages to Dowland and Purcell; Elizabethan and Jacobean ayres, madrigals, and dances; Elizabethan lute songs; An Elizabethan pleasure garden; Elizabethan social music; Elizabethan songs; English ayres and duets sung in authentic Elizabethan pronunciation; English keyboard music [from the Tudor age to the Restoration] ; English lute music; An Evening of Elizabethan music; Faire, sweet, cruell: [Elizabethan songs]; The festive Pipes; The Golden age of English lute music; Guide des instruments de la Renaissance ; Heart's ease; The historic organ: the Compenius organ at Frederiksborg castle: music from the 17th century; Historical anthology of music in performance; Historical dance course; A History of Western Music; Instruments of the Middle Ages and Renaissance ; Lute songs; Madrigals and wedding songs for Diana; The Most beautiful madrigals= Les plus beaux madrigals = Die schonsten Madrigale; Music at the court of Elizabeth I ; Music from Shakespeare's time; Music from the time of Christian IV: songs and harpsichord music; Music of the Renaissance and baroque for brass quintet; Music of the Renaissance, for lutes, vihuelas, and citterns; Music of the Renaissance virtuosi; Musical panorama of Shakespeare's England; A musicall dreame: music by Robert Jones, Tobias Hume, and Giles Farnaby; Musik für 2 und 3 Lauten; Musik für 2 und 3 Lauten [Music for 2 and 3 lutes]; New London Chamber Choir; O ravishing delight: airs anglais des XVIIe et XVIIIe s[iecles]; O ravishing delight: [English songs of the 17th and 18th centuries ; Pathways of Renaissance music: [l'Europe musicale aux XVe et XVIe siecles]; Parels uit vier eeuwen koormuziek; Renaissance and Baroque music for lute and guitar; Renaissance music for two lutes; A Renaissance tour of Europe; Renaissance vocal music; Renaissance love songs; The silver swan and other Elizabethan and Jacobean madrigals; Simple gifts; Sing we & chant it!: English madrigals; So quick, so hot, so mad: Elizabethan bawdy songs; To drive the cold winter away; A treasury of early music [an anthology of masterworks of the Middle Ages, the Renaissance, and the Baroque]; The Trumpet shall sound; Wandering in this place; [witty, amourous, and introspective ayres and lute solos of Elizabethan England]; Watkins ale: music of the English Renaissance; The woods so wild.

Drusina, Petrus de, d. 1611

Jul i Haga.
Proprius PRCD 9101, p1993.
PERFORMERS:Karin Nelson, playing the Brombaugh organ in Haga Church, Göteborg, Sweden.
NOTES: Program notes in Swedish, German and English.
CONTENTS: Resonet in laudibus; Veni Redemptor gentium.
DOUGLASS COMPACT DISC CX14180

Du Caurroy, Eustache, 1549-1609

Paris.
Collins 14972, p1997.
PERFORMERS:The Choir of New College, Oxford; Edward Higginbottom, conductor.
NOTES: Program notes in English, French and German by John Irving with texts in Latin and English.
CONTENTS:Veni sanctus spiritus--Missa pro defuntis. Requiem; Kyrie; Si ambulem; Domine Jesu; Sanctus; Agnus Dei; Lux aeterna--Benedicamus Domino--Ave Maria--Ave virgo gloriosa--Salve Regina--[Christe, qui lux es]. Christe, qui lux es; Ne gravis; Memento nostri--Victimae paschali.
LANGUAGE:Sung in Latin.
DOUGLASS COMPACT DISC CX15514

Requiem des Rois de France.
Auvidis E 8660, 1999.
PERFORMERS:Doulce Memoire; Denis Raisin Dadre, conductor.
NOTES: Program notes in English and French, bibliography, and texts in Latin, French, and English.
DOUGLASS COMPACT DISC CX8882

See also: French chansons and dances of the 16th century; Musicke of sundrie kindes; Les Precurseurs; A Renaissance Christmas; La rocque 'n' roll: popular music of renaissance France.

Dufay, Guillaume, d. 1474.

Benedicamus domino.
Lyrichord LLST 7237, 1972.
PERFORMERS: Capella Corina; Alejandro Planchart, conductor.
DOUGLASS PHONODISC DMds 2277

Complete secular music.
Editions de l'Oiseau-lyre D237D6 (237D 1--237D 6), 1981.
PERFORMERS: The Medieval Ensemble of London, Peter Davies and Timothy Davies, conductors.
NOTES:Program notes and texts with English, French, and German translations.
DOUGLASS PHONODISC DMds A1317

The fall of Constantinople: Byzantine chant and polyphony c.1453.
Capella Romana CR402-CD, p2006.
PERFORMERS:Cappella Romana; Alexander Lingas, artistic director.
NOTES: Program notes in English and texts with English translation.
CONTENTS INCLUDE:Vasilissa ergo gaude--Apostolo glorioso--Ecclesiae militantis--Lamentatio Sanctae Matris Ecclesiae Constantinopolitanae.
LANGUAGE:Sung in Greek, Latin and French.
DOUGLASS COMPACT DISC CX14376

Hymns.
Hungaroton HCD 12951, p1988.
PERFORMERS: Schola Hungarica; Janka Szendrei, Laszlo Dobszay, conductors.
NOTES: Program notes in English, French, German, and Hungarian; and Latin texts with English translations.
CONTENTS: Advent: Conditor alme siderum--Christmas: Christe, Redemptor omnium Epiphany: Hostis Herodes impie--Lent I: Audi, benigne Conditor--Lent II: Aures ad nostros Deitatis--Passion-tide: Vexilla Regis prodeunt--Easter: Ad cenam Agni providi--Ascension Day: Iesu, nostra redemptio--Pentecost: Veni, Creator Spiritus--Trinity: O lux Beata Trinitas --Corpus Christi: Pange, lingua--Parish-feast: Urbs beata Ierusalem--St John the Baptist: Ut queant laxis--St Peter and Paul: Aurea luce--The Blessed Virgin Mary: Ave maris stella.
DOUGLASS COMPACT DISC CX3276

Mass for St. Anthony of Padua = Missa Sancti Anthonii de Padua = Messe fur den hl. Antonius von Padua = Messe a St. Antoine de Padoue; Veni creator spiritus.
Archiv Produktion 447 772-2, p1996.
PERFORMERS:Pomerium; Alexander Blachly, conductor.
NOTES: Program notes in English and Latin texts with English translations.
LANGUAGE:Sung in Latin.
DOUGLASS COMPACT DISC CX8628

Mass, Se la face ay pale.
Bach Guild BGS-70653; Vanguard Rec. Society, c1963.
PERFORMERS: Vienna Chamber Choir; Hans Gillesberger, conductor; with ensemble of ancient instruments.
NOTES: "This recording follows the medieval and Renaissance practice of doubling the vocal parts with instruments."
DOUGLASS PHONODISC DMds 27

Messensatze, Motetten und Hymnen.
Telefunken SAWT 9439-B, [196-].
PERFORMERS: Capella antiqua Munchen; Konrad Ruhland, conductor.
NOTES:Program notes in German and English by K. Ruhland.
CONTENTS: Kyrie paschale Lux et origo--Gloria ad modum tubae--Sanctus papale--Audi benigne--Salve regina--Kyrie (HS Cambrai)--Ave maris stella.--Magnificat VI. toni--Ave regina caelorum.
LANGUAGE:Sung in Latin.
DOUGLASS PHONODISC DMds 258

Missa Ave Regina (1472).
Lyrichord LLST 7233, [1971].
PERFORMERS: Capella Cordina; Alejandro Planchart, director.
CONTENTS ALSO INCLUDE:Ave Regina caelorum III (1464) Lamentatio sanctae matris (1454) Puisque vous estez campieur (c. 1470) Se la face ay pale (c. 1430).
DOUGLASS PHONODISC DMds 2275

The Missa Caput; and, The story of the Salve Regina.
Hyperion CDA66857, p1996.
PERFORMERS:Gothic Voices; Christopher Page, director.
NOTES:Texts with English translations and program notes in English with French & German translations by Andrew Kirkman and Christopher Page.
CONTENTS:The Missa Caput: an anonymous English Mass setting from c1440, interspersed with the story of the Salve Regina [sung to the tune of Pange lingua].
DOUGLASS COMPACT DISC CX11282

Missa Ecce ancilla Domini; Missa sine nomine.
Harmonia Mundi France HMA 190939, p1993.
PERFORMERS:Clemencic Consort; Rene Clemencic, conductor.
NOTES: Program notes in French, English, and German.
LANGUAGE:Sung in Latin.
DOUGLASS COMPACT DISC CX8619

Missa "l'homme arme".
Lyrichord LLST 7150, [1965]
PERFORMERS: Berkeley Chamber Singers; Alden Gilchrist, director.
NOTES:Program notes on container.
DOUGLASS PHONODISC DMds 260

Missa "L'homme arme".
EMI CDC 7 47628 2, p1987.
PERFORMERS: Hilliard Ensemble; Paul Hillier, director.
CONTENTS INCLUDE: Nuper rosarum flores; Ecclesiae militantis; Alma Redemptoris mater; O sancte Sebastiane; Salve flos Tuscae gentis.
DOUGLASS COMPACT DISC CX262

Missa sine nomine: for chorus and 3 trombones.
Haydn Society HS 9008, 1958.
PERFORMERS: Philippe Caillard Vocal Ensemble; Philippe Caillard, conductor.
NOTES:Program notes on slipcase.
DOUGLASS PHONODISC DMdl 826

Motetten.
Archiv Produktion 2533 291, p1975.
SOURCE:Performed from the complete edition, edited by G. de Van and H.JBesseler in Corpus Mensurabilis Musicae. PERFORMERS: Pro Cantione Antiqua, London; Hamburger Blaserkreis fur Alte Musik; Bruno Turner, conductor.
NOTES:Program notes by Turner in German, English, and French, and texts.
CONTENTS: Supremum est mortalibus.--Flos florum.--Ave virgo quae de caelis.--Vasilissa, ergo gaude.--Alma redemptoris mater.
Sung in Latin.
DOUGLASS PHONODISC DMds 3139

Motets.
Vox STDL 500.990, [1963].
PERFORMERS: Petit ensemble vocal, Montreal, George Little, director; Consort of Viols, Otto Joachim, director; Gian Lyman, organ.
NOTES:Program notes by R.D. Darrell, including the texts, with English translations.
CONTENTS:: Contains excerpts from the Mass Se la face ay pale, hymns, chansons, viol music, and motets.
DOUGLASS PHONODISC DMds 672

Music for St Anthony of Padua.
Hyperion CDA66854, p1996.
PERFORMERS: The Binchois Consort; Andrew Kirkman, conductor.
NOTES: Program notes by Andrew Kirkman in English with French and German translations and text with English translation.
CONTENTS: Introit--Kyrie--Gloria Gradual--Alleluia--Credo-- Offertory--Sanctus--Agnus Dei--Communion.
DOUGLASS COMPACT DISC CX3487

Music for St James the Greater.
Hyperion CDA66997, p1998.
PERFORMERS: The Binchois Consort; Andrew Kirkman, conductor.
NOTES: Program notes English with French and German translations and text with English translation.
CONTENTS: Mass for Saint James the Greater--Rite majorem Jacobum canamus/Arcibus summis miseri reclusi--Balsamus et munda cera--Gloria-Credo--Apostolo glorioso.
DOUGLASS COMPACT DISC CX4379

Music for the Court of Savoy.
Hyperion CDA67715, p2009.
CONTENTS:Mass ordinary settings (Se la face ay pale) with the propers for the feast of St. Maurice.
PERFORMERS:The Binchois Consort; Andrew Kirkman, director.
NOTES: Program notes in English, German and French, and texts with English translations.
CONTENTS:Introit: Venite benedicti--Missa se la face ay pale. Kyrie; Gloria--Gradual: Gloriosus Deus; Alleluia: Iudicabunt sancti--Missa se la face ay pale. Credo --Offertory: Mirabilis Deus--Missa se la face ay pale. Sanctus; Agnus Dei--Communion: Gaudete iusti--Motet: O très piteulx--Ballade: Se la face ay pale--Notet: Magnanime gentis.
LANGUAGE:Sung in Latin and French.
DOUGLASS COMPACT DISC CX15938

Music of Guillaume Dufay: Missa "Se la face ay pale" with chanson and instrumental versions.
Seraphim S-60267, p1974.
PERFORMERS: Early Music Consort of London; David Munrow, conductor.
NOTES:Program notes by Munrow and texts with English translations.
DOUGLASS PHONODISC DMds 3162

The Virgin & the temple: chants and motets.
Archiv Produktion 447 773-2, 1997.
PERFORMERS: Pomerium; Alexander Blachly, conductor.
NOTES: Program notes in English and Latin texts with English translations.
CONTENTS: Ceremonial and liturgical motets: Nuper rosarum flores; Alma redemptoris mater II; Letabundus; Ecclesie militantis-- Recollectio Festorum Beate Marie Virginis: Deus in adiutorium meum; Tenebre diffugiunt/Laudate pueri Dominum; Solem iusticie/Laudate Dominum omnes gentes; Gabriel archangelus/Lauda anima mea Dominum; Non concava vallium/Laudate Dominum quoniam bonus est; Virgo puerum/Lauda Iherusalem Dominum; Hymn, Gaude redempta; Responsory, Surge propera, columba mea; Vidi speciosam/Magnificat sexti toni; Benedicamus Domino II.
DOUGLASS COMPACT DISC CX3261

See also:Anthology of Renaissance music; The Art of courtly love. ; The art of courtly love; The art of polyphony; The brightest heaven of invention: Flemish polyphony of the High Renaissance;Chanson, madrigal, choral song ; The castle of fair welcome: courtly songs of the later fifteenth century;Le Chansonnier cordiforme; Ciconia, Dufay, Wolkenstein ; Courts and chapels of Renaissance France; Early music: from the Middle Ages to Dowland and Purcell; Early music of the Netherlands: 1400-1800; Flemish composers in renaissance Italy ; Food, wine & song: music and feasting in Renaissance Europe; French music of the courts of Burgundy & Versailles; French music of the Middle Ages and Renaissance; From Guillaume Dufay to Josquin des Pres: love songs of the 15th century; The Garden of Zephirus: courtly songs of the early 15th century; Historical anthology of music in performance; History of European music; A History of Western Music; In a medieval garden, instrumental and vocal music of the Middle Ages and Renaissance; Instruments of the Middle Ages and Renaissance ; Liebe und Minne; Lieder und Antiphonen; The Mass; Masterpieces of the early French & Italian Renaissance; The medieval experience; The medieval romantics: French songs and motets, 1340-1440; The Missa Caput; and, The story of the Salve Regina; Music at the Burgundian court, 1430-1500; Music for the feast of Christmas; Music from the court of Burgundy; Music in medieval and Renaissance life; Music of the early Renaissance: John Dunstable and his contemporaries; A musical book of hours; New London Chamber Choir; Noel, noel!: noels francais = French Christmas music 1200-1600; A Nonesuch Christmas; from the Baroque, Renaissance, and Middle Ages; Old Netherlands masters; Passion.; The Pleasures of the royal courts; The pleasures of the royal courts; Popes & antipopes; Pre-baroque sacred music; A Renaissance Christmas; ; A song for Francesca: music in Italy, 1330- 1430; 2,000 years of music. [A concise history of the development of music from the earliest times through the 18th century]; Voices of the Middle Ages, music from a Gothic cathedral; Vox Neerlandica. I.

Dunstable, John, ca. 1390-1453

Dunstaple.
Metronome MET CD 100, p1995.
PERFORMERS: Orlando Consort.
NOTES: Program notes by Margaret Bent in English, French, and German, and texts with English translations.
CONTENTS: Descendi in ortum meum--Ave maris stella--Gloria in canon--Speciosa facta es--Sub tuam protectionem--Veni sancte spiritus--Albanus roseo rutilat--Specialis virgo--Preco preheminencie--O crux gloriosa--Salve regina mater mire--Missa Rex seculorum. Gloria; Credo; Sanctus; Agnus Dei
DOUGLASS COMPACT DISC CX3421

Motets.
EMI Records CDC 7 49002 2, p1987.
PERFORMERS:Hilliard Ensemble; Paul Hillier, conductor.
NOTES: Program notes by Paul Hillier in English, with French and German translations, and Latin texts with English, French and German translation.
CONTENTS:Veni Sancte Spiritus/Veni Creator--Alma Redemptoris Mater--Credo super "Da gaudiorum premia"--Agnus Dei--Salve scema sanctitatis--Gaude virgo salutata--Quam pulcra es--Salve Regina misericordiae--Preco preheminenciae.
LANGUAGE:Sung in Latin.
DOUGLASS COMPACT DISC CX8623

Motets.
Archive ARC 3052, 1956.
PERFORMERS: Pro Musique Antique; Safford Cape, conductor.
NOTES:Program Notes by Cape.
DOUGLASS PHONODISC DMdl A129 v.3 Ser. C pt.2

Motets.
Angel DS-38082, p1984.
PERFORMERS: Hilliard Ensemble; Paul Hillier, conductor. Latin words with English translations.
CONTENTS: Veni Sancte Spiritus/Veni Creator--Alma Redemptoris Mater--Credo super "Da gaudiorum premia"--Agnus Dei--Salve scema sanctitatis--Gaude virgo salutata--Quam pulcra es--Salve Regina misericordie--Preco preheminencie.
DOUGLASS PHONODISC DMds 5807

Motets.
His Master's Voice 1467031, p1984.
PERFORMERS: Hilliard Ensemble; Paul Hillier, director.
NOTES:Program notes by Paul Hillier; Latin texts English translations.
CONTENTS: Same as above.
DOUGLASS PHONODISC DMds 5425

Motetten.
Archiv Produktion 2533 291, p1975.
SOURCE:Performed from the complete ed., edited by M. Bukofzer (Musica Britannica, 8).
PERFORMERS:: Pro Cantione Antiqua, London; Hamburger Blaserkreis fur Alte Musik; Bruno Turner, conductor.
NOTES:Program notes by Turner in German, English, and French, and texts.
CONTENTS: Veni Sancte Spiritus--Salve Regina misericordie--Beata mater--Preco proheminencie.
Sung in Latin.
DOUGLASS PHONODISC DMds 3139

Sacred music of the late English Gothic.
Arte Nova Classics 74321 34055 2,p1995.
PERFORMERS:Clemencic Consort (Rene Clemencic, director, positive organ; Bernd Lambauer, Johannes Chum, tenors; Colin Mason, baritone).
NOTES: Program notes by Rene Clemencic, in German with English and French translations, and texts.
CONTENTS:Kyrie--Gloria--Salve Regina--Sub tuam protectionem I: positive organ--Ave regina celorum--Sanctus--Sub tuam protectionem II: positive organ--Magnificat--Beata Dei genitrix--Et propter hoc: positive organ--Regina celi letare.
LANGUAGE:Sung in Latin.
DOUGLASS COMPACT DISC CX8577


See also:Accademia Monteverdiana: a twentieth anniversary tribute.; The art of polyphony; Carols and motets for the Nativity of medieval and Tudor England; Chanson, madrigal, choral song; Le Chansonnier cordiforme ; Christmas carols & motets of medieval Europe ; A Concert of early music.; Cum jubilo: masses by Pierre Certon; Dunstable und seine Zeit ; Geistliche Musik um 1400; Guillaume Dufay und seine Zeit; Historic organs of England ; Historical anthology of music in performance; History of European music; A History of Western Music; Joculatores Dei = Minstrels of God; Lieder und Antiphonen; The Mass; Masterpieces of the early French & Italian Renaissance; The medieval experience; Music of the early Renaissance: John Dunstable and his contemporaries; Musicke of sundrie kindes; My fayre ladye: Tudor songs and chant; Religious music around 1400; The service of Venus and Mars: music for the Knights of the Garter, 1340-1440; A treasury of early music [an anthology of masterworks of the Middle Ages, the Renaissance, and the Baroque].

Du Tertre, Étienne, 16th cent.

See:Courts and chapels of Renaissance France; Dance music of the 16th, 17th, and 18th centuries; On the banks of Helicon: early music of Scotland.

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